In some more horror news, its been announced that Rob Zombies new film The Lords Of Salem will begin filming in Spring of this year. Alliance Films have partnered with Haunted Movies (including Paranormal Activity creator Oren Peli) to distribute several films including James Wan's Insidious and Rob Zombie's The Lords Of Salem.
With filming scheduled to begin spring 2011, Rob Zombie will write and direct THE LORDS OF SALEM. The thriller is set in contemporary Salem, where the inhabitants receive a demonic visit from a 300-year old coven of witches. Zombie’s producing partner Andy Gould will produce alongside Jason Blum, Oren Peli and Steven Schneider. Brian Kavanaugh-Jones of Automatik and the Alliance / IM Global joint venture are executive producers on both films.
In addition, Nick Palumbo, the man behind Murder, Set, Pieces is gearing up for his next film entitled The Last Gas Station. The film will be set in San Francisco and is described as noir in tone. The synopsis is as follows:
“RT”, unable to cope with his haunted past, lives as a lonely short-order cook by day and a rouge drag racer by night. A fateful encounter allows him to save the life of “Midnight”, a mysterious young woman that lives by her cunning, street smarts...and remarkable beauty. Playing an ominous game of life and death with multiple people, she approaches the deplorable anti-hero “RT”, in a seemingly desperate romantic nature. She offers him a rare opportunity to escape to a new life and redemption – or does she? The truth lies in a ghastly odyssey of madness and murder.
It's certainly nice to see Zombie get back to doing original material. I actually enjoyed his Halloween redux but no one can dispute the fact that the man does do a damn fine job with his own material. Also, it'll be interesting to see what Palumbo comes up with for this film. It seems that he may be getting away from excessive gore and focusing on creating an in depth story here. Here's hoping we see something new and exciting for the horror genre.
Monday, February 28, 2011
Horror News - Abraham Lincoln:Vampire Hunter
In some other news, Jimmi Simpson has joined the cast of the flick that sees our former president take on the undead. While I normally wouldn't report on this as it's been covered already, I am a fan of Jimmi Simpson. Many of you may know him from his appearances in the film Date Night, the television show Psych and my personal favorite: Ryan McPoyle from It's Always Sunny In Philadelphia. I'm assuming he'll be bringing his distinct style of humor to the role.
Horror News - Tobe Hooper and Ruggero Deodato!!
Here's a little fun news for you guys. I found out about this and had to fill you all in. True horror fans should be excited!
Ruggero Deodato, the man behind films such as House on the Edge of the Park and Cannibal Holocaust, is re-teaming with House star Giovanni Lambardo Radice (Ricky) to develop a sequel to House at the Edge of the Park! The original was released in 1980, so over thirty years later the two are back together. No word on what the story entails yet, however it is being written by Andrew Jones based on a story by Deodato and Radice. Here's hoping we see this one get off the ground! Remember, this is the man who's been promising us a Cannibal Holocaust sequel for decades.
Tobe Hooper (Poltergeist, Texas Chainsaw, The Mangler, Toolbox Murders) is now confirmed as the director of the new Djinn horror film. It's being described as an "Arabian haunted house thriller" that will begin shooting int he United Arab Emirates in March. The premise is described as follows: "It tells the story of a young Emirati couple who return home from the U.S. and discover that their new apartment in a luxury high-rise built on the site of an abandoned fishing village is also home to malevolent beings known as Djinn."
Fingers crossed everyone, as Hooper has been a little uneven lately.
I'll bring you guys more details as I find them. And, as usual, I check all my stories before I report them here. This has been confirmed several other places as well as bloodydisgusting.com who are always reliable.
Ruggero Deodato, the man behind films such as House on the Edge of the Park and Cannibal Holocaust, is re-teaming with House star Giovanni Lambardo Radice (Ricky) to develop a sequel to House at the Edge of the Park! The original was released in 1980, so over thirty years later the two are back together. No word on what the story entails yet, however it is being written by Andrew Jones based on a story by Deodato and Radice. Here's hoping we see this one get off the ground! Remember, this is the man who's been promising us a Cannibal Holocaust sequel for decades.
Tobe Hooper (Poltergeist, Texas Chainsaw, The Mangler, Toolbox Murders) is now confirmed as the director of the new Djinn horror film. It's being described as an "Arabian haunted house thriller" that will begin shooting int he United Arab Emirates in March. The premise is described as follows: "It tells the story of a young Emirati couple who return home from the U.S. and discover that their new apartment in a luxury high-rise built on the site of an abandoned fishing village is also home to malevolent beings known as Djinn."
Fingers crossed everyone, as Hooper has been a little uneven lately.
I'll bring you guys more details as I find them. And, as usual, I check all my stories before I report them here. This has been confirmed several other places as well as bloodydisgusting.com who are always reliable.
Intruder review
I found this film at my local video store on clearance for two bucks! What was the real selling point was the fact that Bruce Campbell was credited on the front cover. Now, this is a bit of an over exaggeration as he only appears in a blink and you'll miss it cameo. However, this is a good film that's worth checking out.
The premise is simple. A group of employees are working at their local grocery store and the manager informs them that the store will be sold and they will unfortunately all be out of jobs. After a visit from a characters creepy ex boyfriend, the employees are tormented by an intruder upon closing the store.
This movie does create a nice whodunit vibe and even channels My Bloody Valentine in terms of suspense in a confined environment. The fact that the killer isn't revealed until almost the end of the film is refreshing, seeing as so many "slasher" films let you know who the villain is right off the rip. In addition, the big reveal, which easily could have been hammy and schlocky Ala Scooby Doo, is executed well here. The explanation also makes sense, at least as much as a B-movie horror film will allow. Also, the fact that this takes place within the realm of reality does make one wonder about if this could happen to any of us.
The performances are pretty typical here. Nothing award worthy but there isn't really a bad performance throughout. Ted Raimi appears as one of the stores stock boys and he's quite amusing in his role. While he plays his typical role of the oddball, it adds a nice amount of awkward geeky humor. Big brother Sam Raimi also cameos with Bruce Campbell in a scene that I can't really reveal without giving anything away. Sufficient to say, the film could have easily gone on without them, but their appearances are welcome.
Also, there are some really great kill scenes. I won't reveal who dies in what way but there is a death involving a trash compactor, one involving a table saw and a persons head, death by meat hook and more. In addition, the camera angles employed here are reminiscent of Argento, particularly the reflection of one character in a knife before being struck down. There's also some really interesting POV angles as well that provide a nice little change of pace.
Overall, this is a good movie, especially for the bargain price I paid for it. It's a welcome change of pace from the typical fare from the genre and it really reminds us of how great B-movies or cult films can be. I wish more films today could capture the same vibe that a lot of these films had, as they didn't take themselves too seriously but still knew how to deliver a good time! Do yourselves a favor and check this movie out. Us horror fans have a duty to keep these movies alive, lest we get more studio remakes and PG-13 crap (Sorority Row anyone?)
Highlight Scene: The scene where the "intruder" first starts to stalk the employees does build some nice tension and it makes us think what we would do in this situation.
The premise is simple. A group of employees are working at their local grocery store and the manager informs them that the store will be sold and they will unfortunately all be out of jobs. After a visit from a characters creepy ex boyfriend, the employees are tormented by an intruder upon closing the store.
This movie does create a nice whodunit vibe and even channels My Bloody Valentine in terms of suspense in a confined environment. The fact that the killer isn't revealed until almost the end of the film is refreshing, seeing as so many "slasher" films let you know who the villain is right off the rip. In addition, the big reveal, which easily could have been hammy and schlocky Ala Scooby Doo, is executed well here. The explanation also makes sense, at least as much as a B-movie horror film will allow. Also, the fact that this takes place within the realm of reality does make one wonder about if this could happen to any of us.
The performances are pretty typical here. Nothing award worthy but there isn't really a bad performance throughout. Ted Raimi appears as one of the stores stock boys and he's quite amusing in his role. While he plays his typical role of the oddball, it adds a nice amount of awkward geeky humor. Big brother Sam Raimi also cameos with Bruce Campbell in a scene that I can't really reveal without giving anything away. Sufficient to say, the film could have easily gone on without them, but their appearances are welcome.
Also, there are some really great kill scenes. I won't reveal who dies in what way but there is a death involving a trash compactor, one involving a table saw and a persons head, death by meat hook and more. In addition, the camera angles employed here are reminiscent of Argento, particularly the reflection of one character in a knife before being struck down. There's also some really interesting POV angles as well that provide a nice little change of pace.
Overall, this is a good movie, especially for the bargain price I paid for it. It's a welcome change of pace from the typical fare from the genre and it really reminds us of how great B-movies or cult films can be. I wish more films today could capture the same vibe that a lot of these films had, as they didn't take themselves too seriously but still knew how to deliver a good time! Do yourselves a favor and check this movie out. Us horror fans have a duty to keep these movies alive, lest we get more studio remakes and PG-13 crap (Sorority Row anyone?)
Highlight Scene: The scene where the "intruder" first starts to stalk the employees does build some nice tension and it makes us think what we would do in this situation.
Maniac Cop review
The other night I was conversing with a friend of mine about the rumored release of Maniac Cop 2! All this talk refueled my desire to re-watch the original that started it all. This film has sadly been overlooked or forgotten by many, which is truly a shame. It's a great film in true "B-movie" tradition.
The premise of the film is this: A man in a cop uniform starts killing people in the streets of New York. A local cop named Jack Forrest is the prime suspect and he and his girlfriend set out to find the real killer and clear Forrest's name. While this may sound like a plot a crime drama, it is indeed a horror/thriller film. In addition, director William Lustig clearly knew his target audience and geared this film directly at them. It's apparent that this is a campy B-movie and instead of taking himself too seriously, he embraces this and weaves an entertaining movie that's well worth the watch.
The performances are what you would expect from a film like this. Bruce Campbell of Evil Dead and Burn Notice fame stars as Jack Forrest, our framed hero. His performance is spot on and quite subdued compared to his role in the Evil Dead trilogy. Campbell does have a few moments where he goes over the top but it flows with the story and his characters situation. Those who are true Bruce Campbell fans should definitely check out his performance in this film.
In addition to Mr.Campbell, Tom Atkins is also present here as Forrest's captain, Frank McCrae. Atkins is great as usual, which should come as no surprise. He's always reliable and his presence does add some much needed levity. Lauren Landon is also present as Campbell's love interest and she plays her part well. Not much is called for from her character, yet she still manages to make her character likable. Then we have Robert Z'Dar in the titular role and he is brilliantly cast. He plays the maniac wonderfully and creates an awesome villain. The fact that more people don't remember the "Maniac Cop" is a shame. While he's no Michael Myers or Freddy Krueger, he is definitely menacing and dishes out the psycho in spades.
Effect-wise, there isn't anything really over the top but what is displayed is executed well. Whatever prosthetics were used on Z'Dar were well done and while it may look slightly schlocky, there is something sinister and creepy about him.
In general, this film does build some suspense, there's a nice little mystery and a good dose of action thrown in. The film never really slows down or drags and we do become invested in the characters. All this makes for a truly enjoyable B-movie and it's well worth checking out. I would say this is a must for any Bruce Campbell or William Lustig fans (The man who also delivered this films sequel and the terrific Maniac!) or cult film fans in general. Don't let this film be forgotten! It deserves it's rightful place amongst other cult classics and it's our duty to keep it alive!
Highlight Scene: The showdown between Campbell and the Maniac Cop is a great example of 80's horror and action. Plus, we get to see the maniac in full, grotesque view.
Highlight Quote: Security Guard- "You always take a leak with a gun in your hand? That's a good way to blow your balls off!"
The premise of the film is this: A man in a cop uniform starts killing people in the streets of New York. A local cop named Jack Forrest is the prime suspect and he and his girlfriend set out to find the real killer and clear Forrest's name. While this may sound like a plot a crime drama, it is indeed a horror/thriller film. In addition, director William Lustig clearly knew his target audience and geared this film directly at them. It's apparent that this is a campy B-movie and instead of taking himself too seriously, he embraces this and weaves an entertaining movie that's well worth the watch.
The performances are what you would expect from a film like this. Bruce Campbell of Evil Dead and Burn Notice fame stars as Jack Forrest, our framed hero. His performance is spot on and quite subdued compared to his role in the Evil Dead trilogy. Campbell does have a few moments where he goes over the top but it flows with the story and his characters situation. Those who are true Bruce Campbell fans should definitely check out his performance in this film.
In addition to Mr.Campbell, Tom Atkins is also present here as Forrest's captain, Frank McCrae. Atkins is great as usual, which should come as no surprise. He's always reliable and his presence does add some much needed levity. Lauren Landon is also present as Campbell's love interest and she plays her part well. Not much is called for from her character, yet she still manages to make her character likable. Then we have Robert Z'Dar in the titular role and he is brilliantly cast. He plays the maniac wonderfully and creates an awesome villain. The fact that more people don't remember the "Maniac Cop" is a shame. While he's no Michael Myers or Freddy Krueger, he is definitely menacing and dishes out the psycho in spades.
Effect-wise, there isn't anything really over the top but what is displayed is executed well. Whatever prosthetics were used on Z'Dar were well done and while it may look slightly schlocky, there is something sinister and creepy about him.
In general, this film does build some suspense, there's a nice little mystery and a good dose of action thrown in. The film never really slows down or drags and we do become invested in the characters. All this makes for a truly enjoyable B-movie and it's well worth checking out. I would say this is a must for any Bruce Campbell or William Lustig fans (The man who also delivered this films sequel and the terrific Maniac!) or cult film fans in general. Don't let this film be forgotten! It deserves it's rightful place amongst other cult classics and it's our duty to keep it alive!
Highlight Scene: The showdown between Campbell and the Maniac Cop is a great example of 80's horror and action. Plus, we get to see the maniac in full, grotesque view.
Highlight Quote: Security Guard- "You always take a leak with a gun in your hand? That's a good way to blow your balls off!"
Saturday, February 26, 2011
Hatchet II review
I know, I'm late on this one. The reason is: I wanted to re-watch it before I reviewed it, just to make sure I didn't miss anything. This is the follow up to Adam Green's Hatchet, which I immensely enjoyed upon it's release. When I heard they were doing a sequel, I was pretty stoked. Many hailed Hatchet as the rebirth of the slasher film and I agree that it was damn entertaining. In addition, Green treated us to a new horror icon in Victor Crowley. Let's head back to the swamp for the review, shall we?
This film picks up at the exact moment that the last film ended, except this time we have genre darling Danielle Harris stepping into the role of Marybeth. As she narrowly escapes Crowley's clutches, she learns the secret of his evil and heads back to the swamp to avenge the deaths of her brother and father. This time, however, she's prepared. Marybeth meets up with Reverend Zombie and together they assemble a rag tag group of hunters to help them take Crowley down. In addition, the good reverend may or may not have some ulterior motives of his own... Green also gives us some back story on Crowley which adds some depth to the character as well as providing a few neat little twists.
Performance wise, the film is pretty solid. Harris' acting is uneven: at times she nails her role spot on and at other times she really goes over the top. I didn't mind this as much as some people did. After all, this is a throwback to 80's horror and I dare you to find me an 80's horror movie without a campy performance by at least one player! Tony Todd is also back for the sequel in a much bigger role and it's good to see him again. He really hits the nail on the head as Reverend Zombie, playing sinister as well as somehow charming and funny.
In addition, there are cameos and references aplenty! Shawn Ashmore (of X-men and Green's Frozen) cameos, as does A.J. Bowen and Perry Shen is back as his characters twin brother. There's also a nice little nod to Frozen as well as Behind The Mask: The Rise Of Leslie Vernon. One thing I really enjoyed was the inclusion of R.A. Mihailoff (who portrayed Leatherface in Texas Chainsaw III) and he gets to go hand to hand with Crowley himself!
Now, I can't forget the real star of the show, Kane Hodder. He pulls double duty here as both Victor Crowley and his father Thomas. Now, as Victor, Hodder is his usual menacing and fearsome self. He is a hulk of a man and he really decimates everything in his path. It's as Thomas, however, that we are treated to a nice surprise. Kane gets a chance to flex his acting muscles, and the man is pretty damn good! There's a particularly emotional scene in which wanders into town after losing his son and we really feel for the man as he breaks down and cries in the middle of the street. (A little trivia for you as well, Kane has his first onscreen kiss in this film!)
Onto the effects. The kills are indeed bloody, brutal and inventive. Without spoiling much, we get a six foot long chainsaw, jaw ripping, impailing, decapitation, body ripping, face slicing, as well as one poor bastard who gets his intestines ripped out and is then promptly strangled with them! The kills look pretty realistic and the makeup on Crowley is a nicely done. He really looks great this time around and Kane's considerable bulk doesn't hurt!
Overall, this is an immensely enjoyable movie. It's a true throwback to the slasher films of decade's past and Adam Green makes a welcome return. Tight direction, solid story and acting and a nice little back story help flesh out the Crowley legacy. Also, there are some twists and turns, one of which you think you have pegged and then does a prompt about face on you. While some people knocked this film, I really enjoyed it and thoroughly encourage any slasher fans to see it. One thing is for certain-Adam Green is a sick man who knows how to deliver on the gore and horror!
Highlight Scene(s):
The aforementioned Thomas Crowley breakdown is really quite touching and emotional.
The montage of "fisherman" kills is pure bloody fun!
R.A. Mihailoff throwing down with Crowley is a horror enthusiasts wet dream
The ending scene. ( I won't spoil it, but once you see it you can't help but smile)
Highlight Quote: I can't really give any without spoiling things, therefore, I will refrain.
This film picks up at the exact moment that the last film ended, except this time we have genre darling Danielle Harris stepping into the role of Marybeth. As she narrowly escapes Crowley's clutches, she learns the secret of his evil and heads back to the swamp to avenge the deaths of her brother and father. This time, however, she's prepared. Marybeth meets up with Reverend Zombie and together they assemble a rag tag group of hunters to help them take Crowley down. In addition, the good reverend may or may not have some ulterior motives of his own... Green also gives us some back story on Crowley which adds some depth to the character as well as providing a few neat little twists.
Performance wise, the film is pretty solid. Harris' acting is uneven: at times she nails her role spot on and at other times she really goes over the top. I didn't mind this as much as some people did. After all, this is a throwback to 80's horror and I dare you to find me an 80's horror movie without a campy performance by at least one player! Tony Todd is also back for the sequel in a much bigger role and it's good to see him again. He really hits the nail on the head as Reverend Zombie, playing sinister as well as somehow charming and funny.
In addition, there are cameos and references aplenty! Shawn Ashmore (of X-men and Green's Frozen) cameos, as does A.J. Bowen and Perry Shen is back as his characters twin brother. There's also a nice little nod to Frozen as well as Behind The Mask: The Rise Of Leslie Vernon. One thing I really enjoyed was the inclusion of R.A. Mihailoff (who portrayed Leatherface in Texas Chainsaw III) and he gets to go hand to hand with Crowley himself!
Now, I can't forget the real star of the show, Kane Hodder. He pulls double duty here as both Victor Crowley and his father Thomas. Now, as Victor, Hodder is his usual menacing and fearsome self. He is a hulk of a man and he really decimates everything in his path. It's as Thomas, however, that we are treated to a nice surprise. Kane gets a chance to flex his acting muscles, and the man is pretty damn good! There's a particularly emotional scene in which wanders into town after losing his son and we really feel for the man as he breaks down and cries in the middle of the street. (A little trivia for you as well, Kane has his first onscreen kiss in this film!)
Onto the effects. The kills are indeed bloody, brutal and inventive. Without spoiling much, we get a six foot long chainsaw, jaw ripping, impailing, decapitation, body ripping, face slicing, as well as one poor bastard who gets his intestines ripped out and is then promptly strangled with them! The kills look pretty realistic and the makeup on Crowley is a nicely done. He really looks great this time around and Kane's considerable bulk doesn't hurt!
Overall, this is an immensely enjoyable movie. It's a true throwback to the slasher films of decade's past and Adam Green makes a welcome return. Tight direction, solid story and acting and a nice little back story help flesh out the Crowley legacy. Also, there are some twists and turns, one of which you think you have pegged and then does a prompt about face on you. While some people knocked this film, I really enjoyed it and thoroughly encourage any slasher fans to see it. One thing is for certain-Adam Green is a sick man who knows how to deliver on the gore and horror!
Highlight Scene(s):
The aforementioned Thomas Crowley breakdown is really quite touching and emotional.
The montage of "fisherman" kills is pure bloody fun!
R.A. Mihailoff throwing down with Crowley is a horror enthusiasts wet dream
The ending scene. ( I won't spoil it, but once you see it you can't help but smile)
Highlight Quote: I can't really give any without spoiling things, therefore, I will refrain.
Shock Waves review
This film was recommended to me, and as I have been on a bit of a zombie kick lately, I figured it was about time I check it out. I'm glad I did, as it's a fun film and it's certainly a nice change of pace.
The premise is as follows: A former Nazi commandant is inhabiting an island and conducting experiments on Nazi Zombies. Pretty simple and to the point. While this film isn't perfect, it does exude a certain amount of charm that makes it a fun watch.
Performance wise, it's pretty uneven. Peter Cushing stars as the semi-retired Nazi and he's a blast to watch. There's also a nice extended cameo from John Carradine as the captain of the vessel that brings our visitors to Cushing's island. The rest of the cast is so-so. Performances often tend to run on the campy side, but that's what makes it enjoyable for me. Horror doesn't always need to be grim and serious!
The zombies in this movie are pretty cool too. While there's nothing revolutionary in the makeup department, the effects suffice. The creepy goggles that the zombies wear are sort of unsettling as we don't really see their eyes. In addition, I dig the fact that the zombies reside underwater. This was a pretty cool touch as that hasn't really been done before. It also makes for a pretty awesome scene as they emerge from their underwater tombs.
Now, on the downside, there isn't really much gore. For a zombie movie there is very little bloodshed. The zombies actually tend to dispatch their victims much as a soldier would, including a lot of stealth neck breaking. While I would've loved to see some brain munching and gore, this is only a minor fault as they are soldiers, so the methodical approach to killing does indeed make sense. Also, this was initially rated PG so what can you really expect gore wise?
Overall, I found this to be an enjoyable film. I wouldn't say that it's one of my favorites of the zombie sub genre, but it was certainly worth the watch. I do suggest that zombie fans check it out as it does offer some unique and creative additions to the zombie world.
Highlight Scene: The emergence of the zombies from the ocean is pretty awesome. The slow trod as their heads begin to surface is eerie and effective and will definitely stick in your mind.
The premise is as follows: A former Nazi commandant is inhabiting an island and conducting experiments on Nazi Zombies. Pretty simple and to the point. While this film isn't perfect, it does exude a certain amount of charm that makes it a fun watch.
Performance wise, it's pretty uneven. Peter Cushing stars as the semi-retired Nazi and he's a blast to watch. There's also a nice extended cameo from John Carradine as the captain of the vessel that brings our visitors to Cushing's island. The rest of the cast is so-so. Performances often tend to run on the campy side, but that's what makes it enjoyable for me. Horror doesn't always need to be grim and serious!
The zombies in this movie are pretty cool too. While there's nothing revolutionary in the makeup department, the effects suffice. The creepy goggles that the zombies wear are sort of unsettling as we don't really see their eyes. In addition, I dig the fact that the zombies reside underwater. This was a pretty cool touch as that hasn't really been done before. It also makes for a pretty awesome scene as they emerge from their underwater tombs.
Now, on the downside, there isn't really much gore. For a zombie movie there is very little bloodshed. The zombies actually tend to dispatch their victims much as a soldier would, including a lot of stealth neck breaking. While I would've loved to see some brain munching and gore, this is only a minor fault as they are soldiers, so the methodical approach to killing does indeed make sense. Also, this was initially rated PG so what can you really expect gore wise?
Overall, I found this to be an enjoyable film. I wouldn't say that it's one of my favorites of the zombie sub genre, but it was certainly worth the watch. I do suggest that zombie fans check it out as it does offer some unique and creative additions to the zombie world.
Highlight Scene: The emergence of the zombies from the ocean is pretty awesome. The slow trod as their heads begin to surface is eerie and effective and will definitely stick in your mind.
Friday, February 25, 2011
Damned By Dawn review
"Sick of waiting for Evil Dead 4? Check out Damned by Dawn" is the tagline that graces the cover of this film. Whoever had the balls to put this on the cover deserves to have said balls removed with a butter knife. Yeah, it's that bad. It was a dollar to rent and wasn't worth the buck. This film was truly awful and I can't emphasize this enough. Well, onto the review.
The premise was actually decent: a woman returns home after a two year absence to find her grandmother on her deathbed. Her grandmother tells her not to worry, that she will be okay. The "lady of sorrows" is coming to take her to her afterlife. The Lady of sorrows is a spirit who cries for the dead and comes to take them safely to the afterlife. However, one must not interfere with the Lady or harm her in any way or else.....
I won't lie, the first fifteen minutes of this movie aren't bad. There is a decent amount of suspense built up and the thought of watching your loved one being taken by a spirit is heartbreaking. It's at this point, however, that all the good disappears from this film. What follows is an eighty minute borefest ripe with awful performances, poor character development, unforgivably poor character choices as well as truly horrendous CGI.
Of course, our heroine interferes with the Lady and this causes the dead to rise, for some unexplained reason. In addition, there is a mysterious urn that somehow has the power to fix everything, which our heroine is too stupid to even attempt to use until the very end. There is really not a good performance to be had, there are plot holes aplenty and all the "scares" are piss poor. Someone even had the brilliant idea that the dead would be flying skeletons (seriously! I wish I was making this up!) Army of Darkness used this idea twenty some years ago and their effects are far superior to this film. The skeletons look horrendous and while the Lady Of Sorrows seems like a cool villain, not the case. A white dress and some bleeding eyes are the only effect and it fails yet again.
Whoever put this film together really should be ashamed of themselves. I have sat through some truly awful movies and this one ranks right up there. What's even worse are the shameless ripoffs from other films that aren't even well executed. In addition, that quote comparing this to Evil Dead is truly an example of the shameless self promotion of an awful movie trying to ride on someone else's coattails. DO NOT WASTE YOUR TIME. This film isn't even enjoyable in a "so bad it's good" way. If you do rent this, don't say I didn't warn you.
Highlight Scene: None. There wasn't a single salvageable moment to be had here.
The premise was actually decent: a woman returns home after a two year absence to find her grandmother on her deathbed. Her grandmother tells her not to worry, that she will be okay. The "lady of sorrows" is coming to take her to her afterlife. The Lady of sorrows is a spirit who cries for the dead and comes to take them safely to the afterlife. However, one must not interfere with the Lady or harm her in any way or else.....
I won't lie, the first fifteen minutes of this movie aren't bad. There is a decent amount of suspense built up and the thought of watching your loved one being taken by a spirit is heartbreaking. It's at this point, however, that all the good disappears from this film. What follows is an eighty minute borefest ripe with awful performances, poor character development, unforgivably poor character choices as well as truly horrendous CGI.
Of course, our heroine interferes with the Lady and this causes the dead to rise, for some unexplained reason. In addition, there is a mysterious urn that somehow has the power to fix everything, which our heroine is too stupid to even attempt to use until the very end. There is really not a good performance to be had, there are plot holes aplenty and all the "scares" are piss poor. Someone even had the brilliant idea that the dead would be flying skeletons (seriously! I wish I was making this up!) Army of Darkness used this idea twenty some years ago and their effects are far superior to this film. The skeletons look horrendous and while the Lady Of Sorrows seems like a cool villain, not the case. A white dress and some bleeding eyes are the only effect and it fails yet again.
Whoever put this film together really should be ashamed of themselves. I have sat through some truly awful movies and this one ranks right up there. What's even worse are the shameless ripoffs from other films that aren't even well executed. In addition, that quote comparing this to Evil Dead is truly an example of the shameless self promotion of an awful movie trying to ride on someone else's coattails. DO NOT WASTE YOUR TIME. This film isn't even enjoyable in a "so bad it's good" way. If you do rent this, don't say I didn't warn you.
Highlight Scene: None. There wasn't a single salvageable moment to be had here.
Cinema Wasteland Convention - Coming Soon!!!
As many of you may know (and many may not,) the Cinema Wasteland convention is quickly approaching. For those of you who won't be attending, rest assured, I will be. I'll be covering everything that I possibly can as well as bringing you pics and videos of whatever I can. In addition, I'll be doing my best to try and land some interviews as well, assuming the guests have time in their busy schedules. Some of this years guests include the ladies of the Evil Dead, as well as the cast of Cannibal Holocaust! There will also be Ruggero Deodato, genre fave Michael Berryman, David Hess and Robert Kerman, among others. This year is shaping up to be amazing, so keep checking in for coverage! In addition, my friend Kdaver will have something special for you all as well, so I recommend checking him out if you haven't already. I've linked his page as well as cinema wasteland below for you all. Stop on by and show some love!
Cinema Wasteland
Kdavers Movie Morgue
Cinema Wasteland
Kdavers Movie Morgue
Tuesday, February 22, 2011
5 Must See Zombie Films!
I recently delved into my DVD collection and immersed myself in a plethora of zombie movies. I've always loved zombie films, so I decided to compile a list of the must sees of the genre. Read on and educate yourselves!!
Return Of The Living Dead
Boy, what a fun movie here. I remember watching this for the first time when I was about six years old and it scared the crap out of me! This film serves as a pseudo-sequel to Night of the Living Dead, taking the basic premise but aknowledging the fact that it was just a horror movie. Two bumbling idiots release a hazardous chemical that brings the dead back to life... Pretty simple. However, it's all in the execution. There's plenty of tongue in cheek humor, the gore is good, the acting is wonderfully hammy and the effects look good considering the time it was made. This film is truly a good time popcorn film. Zombie fans need to see this, you WILL love it! I dare you not to love the line "Send more paramedics."
Zombi
Yeah, it made a list of mine already. But thats because it's that good. Fulci is truly a gore master and proves it in this film. His zombies actually look scary! The makeup alone is worth watching this movie for. In addition, the acting and score are both effective and serve the film well. Plus, a zombie fights a shark! You don't get much more ridiculous and epic than that! Seriously, this is a great film that builds tension and proves that zombies can actually be terrifying. This is among Fulci's best, so check it out!
Dead Alive
Long before venturing to middle earth, Peter Jackson decided to instead venture to hell on earth. This is easily one of the most fun zombie movies ever made. It's certainly not to be taken seriously but it makes for a great evening at home. A rare creature bites a man and he transports a disease turning people into zombie. Pretty simple set up, but that's not what this film is about. There are gross out scenes aplenty and gore that will make Eli Roth blush. I don't want to delve into it too much as I don't want to spoil anything for you but there are plenty of memorable scenes including a baby zombie in a blender and the most creative usage of a lawnmower I've ever seen. I don't know how much money was spent on blood but it had to be a pretty penny! In addition, we get a truly likable antihero who we root for the entire time. Also, a pretty gross scene involving some pus and a mans custard..... "Nuff said
Dawn Of The Dead
Who could forget this film? One of the original zombie masterpieces that everyone should see. And, I hate to admit it, the remake was pretty damn good too. Zombie run amok at a shopping mall, how much better can it get? Then you add Romero's name and it's cinematic gold. The zombie master at work is not to be missed. You need to check out one of the films that popularized the genre. If you can only find the remake, it will suffice but I recommend checking out the original. You won't regret it.
Evil Dead Trilogy
Yeah, yeah, it's a trilogy. I don't care. These films are, in my opinion, the greatest of the genre. Pure fun, tons of great action and gore and the brilliant performance by Bruce Campbell as Ashley J. Williams. These films have lines that you can't help but quote and so many memorable scenes, I don't know where to begin. In addition, the third film gives us Zombies in mideval times! Also, a true icon is born. Ash Williams, the man with the chainsaw hand is the greatest horror hero ever. Imagine the 3 Stooges meats Die Hard with zombies and that still doesn't do these films justice. Sam Raimi cut his teeth on this film and you can see his talent in it's rawest form here. Also, made on a shoestring budget with practical effects and promoted by the cast and crew, this is truly a labor of love. You can feel the dedication that each player had to these films and it translates to the screen. Everyone is clearly enjoying themselves, knowing they're creating something special. In addition, while there is plenty of humor there are some creepy moments as well including a tree rape scene and the zombie Cheryl tormenting Ash from the cellar, to name a few. Check these out and Hail to the king baby!
Other honorable mentions include 28 Days Later, Zombieland, Night of the Living Dead, Pontypool, The Crazies, 28 Weeks Later, Dead Snow and Planet Terror.
Return Of The Living Dead
Boy, what a fun movie here. I remember watching this for the first time when I was about six years old and it scared the crap out of me! This film serves as a pseudo-sequel to Night of the Living Dead, taking the basic premise but aknowledging the fact that it was just a horror movie. Two bumbling idiots release a hazardous chemical that brings the dead back to life... Pretty simple. However, it's all in the execution. There's plenty of tongue in cheek humor, the gore is good, the acting is wonderfully hammy and the effects look good considering the time it was made. This film is truly a good time popcorn film. Zombie fans need to see this, you WILL love it! I dare you not to love the line "Send more paramedics."
Zombi
Yeah, it made a list of mine already. But thats because it's that good. Fulci is truly a gore master and proves it in this film. His zombies actually look scary! The makeup alone is worth watching this movie for. In addition, the acting and score are both effective and serve the film well. Plus, a zombie fights a shark! You don't get much more ridiculous and epic than that! Seriously, this is a great film that builds tension and proves that zombies can actually be terrifying. This is among Fulci's best, so check it out!
Dead Alive
Long before venturing to middle earth, Peter Jackson decided to instead venture to hell on earth. This is easily one of the most fun zombie movies ever made. It's certainly not to be taken seriously but it makes for a great evening at home. A rare creature bites a man and he transports a disease turning people into zombie. Pretty simple set up, but that's not what this film is about. There are gross out scenes aplenty and gore that will make Eli Roth blush. I don't want to delve into it too much as I don't want to spoil anything for you but there are plenty of memorable scenes including a baby zombie in a blender and the most creative usage of a lawnmower I've ever seen. I don't know how much money was spent on blood but it had to be a pretty penny! In addition, we get a truly likable antihero who we root for the entire time. Also, a pretty gross scene involving some pus and a mans custard..... "Nuff said
Dawn Of The Dead
Who could forget this film? One of the original zombie masterpieces that everyone should see. And, I hate to admit it, the remake was pretty damn good too. Zombie run amok at a shopping mall, how much better can it get? Then you add Romero's name and it's cinematic gold. The zombie master at work is not to be missed. You need to check out one of the films that popularized the genre. If you can only find the remake, it will suffice but I recommend checking out the original. You won't regret it.
Evil Dead Trilogy
Yeah, yeah, it's a trilogy. I don't care. These films are, in my opinion, the greatest of the genre. Pure fun, tons of great action and gore and the brilliant performance by Bruce Campbell as Ashley J. Williams. These films have lines that you can't help but quote and so many memorable scenes, I don't know where to begin. In addition, the third film gives us Zombies in mideval times! Also, a true icon is born. Ash Williams, the man with the chainsaw hand is the greatest horror hero ever. Imagine the 3 Stooges meats Die Hard with zombies and that still doesn't do these films justice. Sam Raimi cut his teeth on this film and you can see his talent in it's rawest form here. Also, made on a shoestring budget with practical effects and promoted by the cast and crew, this is truly a labor of love. You can feel the dedication that each player had to these films and it translates to the screen. Everyone is clearly enjoying themselves, knowing they're creating something special. In addition, while there is plenty of humor there are some creepy moments as well including a tree rape scene and the zombie Cheryl tormenting Ash from the cellar, to name a few. Check these out and Hail to the king baby!
Other honorable mentions include 28 Days Later, Zombieland, Night of the Living Dead, Pontypool, The Crazies, 28 Weeks Later, Dead Snow and Planet Terror.
Tuesday, February 15, 2011
The House Of The Devil review
I have been hearing a lot of buzz lately about Ti West. People have been hailing him as the greatest thing to happen to horror in decades. Being the horror fanatic that I am, I had to check this out for myself. I had heard much praise for his House Of The Devil so I decided to check it out for myself.
The setup is nothing new on the surface. Samantha is a college student desperately trying to move out of her dorm into a new house. The house is perfect, but it's way out of her range. To make some money, Samantha decides to respond to a flier on campus for a couple seeking a babysitter. Upon meeting the couple, something seems odd right off the rip. The man of the house is played brilliantly by genre vet Tom Noonan and let me tell you, this man does not miss a beat. He has a certain charm about him, coupled with a vague air of menace. As the night wanes on strange things start happening: creaks in the house, someone moving around and a potential intruder are just the beginning. In addition, we find out that there is no child. Noonan is actually seeking someone to care for his wife's mother for the evening. This is just the tip of the iceberg, however. Without spoiling anything major, let's just say that satanism plays a part in the plot....
The acting was superb all around. Jocelin Donahue is spot on as Samantha, the reluctant babysitter. She nails her role, playing vulnerable with a will to survive in equal doses. Tom Noonan is wonderfully creepy as Mr. Ulman, ranking right up there amongst his best performances. A.J. Bowen is also great as Victor Ulman, putting on a kind exterior with a murderous core. In addition, there's a nice little cameo from Dee Wallace, who many of you may know from Rob Zombie's Halloween as well as the original Hills Have Eyes.
The direction and execution of the film really was great. I have to give credit where credit is due, and Ti West definately earns some respect here. He really does a great job of developing Samantha, making her someone we care about and worry for her safety. Also, setting the movie in the eighties was a stroke of genius, as there was a lot of speculation about cults in that time. The clothing, music, cars, etc are perfectly placed for the time period. West also pulls duty as editor and writer and wears these hats well.
Onto the effects. There really aren't many to be had here. This film relies more on mood, atmosphere and our own immagination rather than gore. The effects required are all well executed. The prosthetics required for one character (whom I won't spoil) are well done and pretty damn creepy. While this film won't necessarily have you screaming in your seat, you will definately be weary when visiting a strangers house or babysitting for a new family.....
Highlight Scene: The scene in which Samantha is being chased by Victor, Ms. Ulman and Mr. Ulman is really suspenseful and will have you on the edge of your seat. Coupled with the showdown at the end, we have a really tight scene in which you really feel for our heroine.
The setup is nothing new on the surface. Samantha is a college student desperately trying to move out of her dorm into a new house. The house is perfect, but it's way out of her range. To make some money, Samantha decides to respond to a flier on campus for a couple seeking a babysitter. Upon meeting the couple, something seems odd right off the rip. The man of the house is played brilliantly by genre vet Tom Noonan and let me tell you, this man does not miss a beat. He has a certain charm about him, coupled with a vague air of menace. As the night wanes on strange things start happening: creaks in the house, someone moving around and a potential intruder are just the beginning. In addition, we find out that there is no child. Noonan is actually seeking someone to care for his wife's mother for the evening. This is just the tip of the iceberg, however. Without spoiling anything major, let's just say that satanism plays a part in the plot....
The acting was superb all around. Jocelin Donahue is spot on as Samantha, the reluctant babysitter. She nails her role, playing vulnerable with a will to survive in equal doses. Tom Noonan is wonderfully creepy as Mr. Ulman, ranking right up there amongst his best performances. A.J. Bowen is also great as Victor Ulman, putting on a kind exterior with a murderous core. In addition, there's a nice little cameo from Dee Wallace, who many of you may know from Rob Zombie's Halloween as well as the original Hills Have Eyes.
The direction and execution of the film really was great. I have to give credit where credit is due, and Ti West definately earns some respect here. He really does a great job of developing Samantha, making her someone we care about and worry for her safety. Also, setting the movie in the eighties was a stroke of genius, as there was a lot of speculation about cults in that time. The clothing, music, cars, etc are perfectly placed for the time period. West also pulls duty as editor and writer and wears these hats well.
Onto the effects. There really aren't many to be had here. This film relies more on mood, atmosphere and our own immagination rather than gore. The effects required are all well executed. The prosthetics required for one character (whom I won't spoil) are well done and pretty damn creepy. While this film won't necessarily have you screaming in your seat, you will definately be weary when visiting a strangers house or babysitting for a new family.....
Highlight Scene: The scene in which Samantha is being chased by Victor, Ms. Ulman and Mr. Ulman is really suspenseful and will have you on the edge of your seat. Coupled with the showdown at the end, we have a really tight scene in which you really feel for our heroine.
5 Italian Horror Films You Need To See!
Over the past few years I have become aware of the great genre films to come out of Italy. While some of the names were familiar, I had never actually seen them. This, I knew, had to change. I dove in head first and soaked up all I could find. Some of them were terrific and many were crap. To help anyone else ween out good from the bad, I decided to compile this list as a jumping off point. These aren't meant to be the best ever, simply the most easy to enjoy and the ones I happened to like the most.
Zombi
Lucio Fulci's zombie masterpiece is truly one of the best examples of Italian horror. A group of Americans venture to a tropical island in search of a woman's missing father. Once there, zombie's run rampant. Pretty simple setup, but the story isn't what makes this film so impressive. The execution is terrific, the zombie effects are great and the acting is decent considering the fact that the film is over thirty years old. Also, the zombies in this film are actually scary! Looking at the creatures created for this film, one can certainly understand the fear felt by the characters. Also, the film is visually captivating. Fulci really was a tremendous director and his talent shines through here. Also, there's a hilarious scene in which a zombie fights a shark!
Cannibal Holocaust
Ruggero Deodato has truly created a disturbing film here. A group of American filmmakers goes missing while exploring an exotic island. Then, American professor Monroe ventures out to find them. He instead finds only their footage, along with a tribe of cannibals which the kids were documenting. While this may not be a typical horror film, the contents are indeed horrific. Numerous scenes of torture and cannibalism are had here as well as several scenes of actual animal deaths which will indeed turn your stomach. Gore aside, we actually have a really engrossing story here that keeps our attention throughout.
Demons
Lamberto Bava weaves an interesting tale here. A group of people are invited to a premier of a new movie at a Berlin theater. Unfortunately for them, the theater is plagues by a horde of "demons" though they function much more like zombies. The Demons attack the theater, killing and turning everyone they can find. A group of determined survivors band together and try to make it through the night until help arrives. Now, the effects here are pretty dated and the acting is over the top, but what else could one want from a zombie flick from 1985? This film is pure fun in the same vein as the Evil Dead Trilogy, delivering nothing but a good time. There's a good soundtrack to accompany this film and it showcases the lighter side of Italian horror. Also, a little fun fact: the screenplay was written by none other than Dario Argento!
Suspiria
Dario Argento makes the list for this film (amongst his many others) A new dancer is accepted to a prestigious ballet academy and after a short time there she learns that the staff is actually a coven of witches obsessed with chaos. Beautifully shot and brilliantly executed, Argento really shows what a master of suspense he is. The man really knows how to build tension and dread and does so with great expertise. The colors that he uses suit the mood perfectly and every scene foreshadows the terror awaiting our heroine at the end. Argento really does give us a perfect example of the Italian "Giallo" films. A must see for any fan of the genre and anyone who loves a well crafted witch story.
Deep Red
Another Argento film here, and one that many people are split on. Some people view this as one of his best, while others aren't very fond at all. I, for one, thought this was a very well crafted film. While it isn't as horror-esque as his other films, there are certainly many horror aspects present. The story follows a musician who witnesses a murder and decides to investigate the crime with a reporter. Shortly after taking up their investigation they themselves become targets of the killer. Argento has crafted a tightly bound whodunit here, and keeps people guessing. Even if you figure out who the killer is, it doesn't lessen the experience any. I personally found the acting to be of good quality and the murders are certainly viscous. Well worth checking out if you enjoy a little more suspense with your horror.
Now, there are plenty of other terrific Italian horror films, these are simply the most easily accessible. If you're truly dedicated to finding them, I recommend: City of the Living Dead (Lucio Fulci), Seven Doors Of Death (also by Fulci) Demons 2 (by Lamberto Bava,) Inferno (Dario Argento), Tenebre (Argento), The Beyond, House By The Cemetary and New York Ripper (All by Fulci) and The House On The Edge of the Park (Ruggero Deodato)
Zombi
Lucio Fulci's zombie masterpiece is truly one of the best examples of Italian horror. A group of Americans venture to a tropical island in search of a woman's missing father. Once there, zombie's run rampant. Pretty simple setup, but the story isn't what makes this film so impressive. The execution is terrific, the zombie effects are great and the acting is decent considering the fact that the film is over thirty years old. Also, the zombies in this film are actually scary! Looking at the creatures created for this film, one can certainly understand the fear felt by the characters. Also, the film is visually captivating. Fulci really was a tremendous director and his talent shines through here. Also, there's a hilarious scene in which a zombie fights a shark!
Cannibal Holocaust
Ruggero Deodato has truly created a disturbing film here. A group of American filmmakers goes missing while exploring an exotic island. Then, American professor Monroe ventures out to find them. He instead finds only their footage, along with a tribe of cannibals which the kids were documenting. While this may not be a typical horror film, the contents are indeed horrific. Numerous scenes of torture and cannibalism are had here as well as several scenes of actual animal deaths which will indeed turn your stomach. Gore aside, we actually have a really engrossing story here that keeps our attention throughout.
Demons
Lamberto Bava weaves an interesting tale here. A group of people are invited to a premier of a new movie at a Berlin theater. Unfortunately for them, the theater is plagues by a horde of "demons" though they function much more like zombies. The Demons attack the theater, killing and turning everyone they can find. A group of determined survivors band together and try to make it through the night until help arrives. Now, the effects here are pretty dated and the acting is over the top, but what else could one want from a zombie flick from 1985? This film is pure fun in the same vein as the Evil Dead Trilogy, delivering nothing but a good time. There's a good soundtrack to accompany this film and it showcases the lighter side of Italian horror. Also, a little fun fact: the screenplay was written by none other than Dario Argento!
Suspiria
Dario Argento makes the list for this film (amongst his many others) A new dancer is accepted to a prestigious ballet academy and after a short time there she learns that the staff is actually a coven of witches obsessed with chaos. Beautifully shot and brilliantly executed, Argento really shows what a master of suspense he is. The man really knows how to build tension and dread and does so with great expertise. The colors that he uses suit the mood perfectly and every scene foreshadows the terror awaiting our heroine at the end. Argento really does give us a perfect example of the Italian "Giallo" films. A must see for any fan of the genre and anyone who loves a well crafted witch story.
Deep Red
Another Argento film here, and one that many people are split on. Some people view this as one of his best, while others aren't very fond at all. I, for one, thought this was a very well crafted film. While it isn't as horror-esque as his other films, there are certainly many horror aspects present. The story follows a musician who witnesses a murder and decides to investigate the crime with a reporter. Shortly after taking up their investigation they themselves become targets of the killer. Argento has crafted a tightly bound whodunit here, and keeps people guessing. Even if you figure out who the killer is, it doesn't lessen the experience any. I personally found the acting to be of good quality and the murders are certainly viscous. Well worth checking out if you enjoy a little more suspense with your horror.
Now, there are plenty of other terrific Italian horror films, these are simply the most easily accessible. If you're truly dedicated to finding them, I recommend: City of the Living Dead (Lucio Fulci), Seven Doors Of Death (also by Fulci) Demons 2 (by Lamberto Bava,) Inferno (Dario Argento), Tenebre (Argento), The Beyond, House By The Cemetary and New York Ripper (All by Fulci) and The House On The Edge of the Park (Ruggero Deodato)
Top 5 Ghost/Haunting Movies (in my humble opinion)
I, for one, am a huge fan of Haunted House/Ghost movies. Unfortunately they are hard to come by these days, as the vast majority of the recent attempts fail on most counts. Therefore, for any other like minded individuals out there, I have decided to compile a list of my top 5 faves! This is not meant to be a list of "The Best," simply a list of the one I happen to enjoy. As always, I welcome your feedback.
The Changeling (1980)
This film stars George C. Scott as widower who recently lost both his wife and child. Upon taking up residence in a new home, he begins to notice strange noises and odd goings on . While this film is not scary in the typical sense, it does one hell of a job of building tension and suspense. In addition, there is actually a deep story and some tender moments as well. Scott is terrific in his role and it's a shame that more people haven't seen this flick. Also, this film makes simple objects unnerving and you won't look at them the same way again. Case in point, the wheelchair scene and the lone ball bouncing down the stairs. Should I ever find myself alone in a house and find a rubber ball rolling my way, I'm getting the hell out of Dodge. (See what I did there? Dodge, ball? No? Moving On....)
Thirteen Ghosts
Tony Shaloub of Monk fame stars here as a single father of two, still mourning the death of his beloved wife. Upon the death of his uncle Cyrus, Shaloub inherits his sprawling manor and decides to move the clan in. Upon arriving they are met by a phony electrician/pro ghost hunter portrayed by Matthew Lillard. What the family doesn't know is that Cyrus hunted ghosts to trap them and ultimately harness their power. While many people dismissed this film, I quite enjoyed it. The performances are good across the board, including an extended cameo from F. Murray Abrams (hey, he was good enough to be in Amadeus, he's good enough for this.) Also, the effects are truly well done here. Not a single ghost is similar and each are horrifying in their own right. A few standouts are The Juggernaut, The Princess, The Jackyl and The Torso. I recommend checking this out. While it doesn't really create anything new, there is a solid story, good performances and, in my opinion, some of the best ghost effects I've seen.
Book Of Blood
This was always one of my favorite stories, so naturally when I heard it was being adapted to film I was both excited and skeptical. Upon seeing this, however, my doubts were put to bed. Is it a perfect adaptation? No, it isn't. It is easily one of the best Clive Barker adaptations though. And, being an offspring of the twisted mind of Mr. Barker, it is pretty intriguing. Local man Simon claims to be a medium who can communicate with the dead. This is exactly what Mary Florescu is looking for, so naturally, she hires Simon. Her and her crew begin to experience some phenomenon of the ghostly variety. The twist is, these ghosts are only interested in communicating by carving their stories into Simon's skin! Well worth checking out for an interesting take on the genre. Also, Sophie Ward is great in her role as Mary and there's a nice bit of nudity as well.
1408
This film is far from perfect, however it does manage to recapture some of the same dread from Stephen King's other hotel film "The Shining." Now, I'm NOT saying this film compares, as that's simply apples and oranges. This film does have in interesting premise though, as John Cusack plays an author who investigates haunted places. Upon checking into the Dolphin hotel's notorious room 1408, he learns that what he suspected to be mere myth may be more real than he could have ever imagined. The ghostly effects are all well done and there are actually a few scares. One also feels the dread that Cusack is experiencing as it builds with each scene. To quote Cusack's character "Hotel rooms are inherently creepy places," and this film really builds off of that tension. Overall, not a perfect film but quite enjoyable. Plus, it's always nice to see a talented actor take on the genre. For me, the only downside is the inclusion of Sam Jackson, who really does nothing more than shout the entire time.
Candyman
Allright, I know what you're all thinking. Many of you were expecting to see The Shining or Ammityville on here, but you're wrong. Not that those aren't both good movies, they're simply over played. Everyone and their brother has seen these two and I didn't personally find either of them that scary or original. Again, both quality films, but not the purpose of this list. And yes, while the Candyman may be a slasher, he's also a ghost. The film tells the tale of Helen, a woman writing her thesis. She decides to investigate the local legend of the titular character, a former Slave who was put to death for his love of the master's daughter. By reciting his name 3 times into the mirror, his spirit comes to like and wreaks havoc on you and your loved ones with his trusty meat hook. Let me tell you, if Bloody Mary didn't scare the shit out of you as a kid, give this one a try. Tony Todd is brilliant as the Candyman, and he truly creates a character that's terrifying, iconic and also relatable. This is a must see as it transcends one single genre. There is plenty of gore as well as elements of a slasher, ghost story, and even gothic love story!
Well, thats the list. Again, this isn't meant to be a "Best Of" or anything of the like. These are simply underrated ghost films that I enjoy. Some other honorable mentions that were enjoyable but didn't make the list: House On Haunted Hill, The Ammityville Horror, The Shining, The Orphanage, Dark House, Blood Night: The Legend Of Mary Hatchet, Ghost Busters, Sixth Sense, Stir of Echoes, and House(1986), And who could forget the Blair With Project and Paranormal Activity? Oh, yeah, ME!!
The Changeling (1980)
This film stars George C. Scott as widower who recently lost both his wife and child. Upon taking up residence in a new home, he begins to notice strange noises and odd goings on . While this film is not scary in the typical sense, it does one hell of a job of building tension and suspense. In addition, there is actually a deep story and some tender moments as well. Scott is terrific in his role and it's a shame that more people haven't seen this flick. Also, this film makes simple objects unnerving and you won't look at them the same way again. Case in point, the wheelchair scene and the lone ball bouncing down the stairs. Should I ever find myself alone in a house and find a rubber ball rolling my way, I'm getting the hell out of Dodge. (See what I did there? Dodge, ball? No? Moving On....)
Thirteen Ghosts
Tony Shaloub of Monk fame stars here as a single father of two, still mourning the death of his beloved wife. Upon the death of his uncle Cyrus, Shaloub inherits his sprawling manor and decides to move the clan in. Upon arriving they are met by a phony electrician/pro ghost hunter portrayed by Matthew Lillard. What the family doesn't know is that Cyrus hunted ghosts to trap them and ultimately harness their power. While many people dismissed this film, I quite enjoyed it. The performances are good across the board, including an extended cameo from F. Murray Abrams (hey, he was good enough to be in Amadeus, he's good enough for this.) Also, the effects are truly well done here. Not a single ghost is similar and each are horrifying in their own right. A few standouts are The Juggernaut, The Princess, The Jackyl and The Torso. I recommend checking this out. While it doesn't really create anything new, there is a solid story, good performances and, in my opinion, some of the best ghost effects I've seen.
Book Of Blood
This was always one of my favorite stories, so naturally when I heard it was being adapted to film I was both excited and skeptical. Upon seeing this, however, my doubts were put to bed. Is it a perfect adaptation? No, it isn't. It is easily one of the best Clive Barker adaptations though. And, being an offspring of the twisted mind of Mr. Barker, it is pretty intriguing. Local man Simon claims to be a medium who can communicate with the dead. This is exactly what Mary Florescu is looking for, so naturally, she hires Simon. Her and her crew begin to experience some phenomenon of the ghostly variety. The twist is, these ghosts are only interested in communicating by carving their stories into Simon's skin! Well worth checking out for an interesting take on the genre. Also, Sophie Ward is great in her role as Mary and there's a nice bit of nudity as well.
1408
This film is far from perfect, however it does manage to recapture some of the same dread from Stephen King's other hotel film "The Shining." Now, I'm NOT saying this film compares, as that's simply apples and oranges. This film does have in interesting premise though, as John Cusack plays an author who investigates haunted places. Upon checking into the Dolphin hotel's notorious room 1408, he learns that what he suspected to be mere myth may be more real than he could have ever imagined. The ghostly effects are all well done and there are actually a few scares. One also feels the dread that Cusack is experiencing as it builds with each scene. To quote Cusack's character "Hotel rooms are inherently creepy places," and this film really builds off of that tension. Overall, not a perfect film but quite enjoyable. Plus, it's always nice to see a talented actor take on the genre. For me, the only downside is the inclusion of Sam Jackson, who really does nothing more than shout the entire time.
Candyman
Allright, I know what you're all thinking. Many of you were expecting to see The Shining or Ammityville on here, but you're wrong. Not that those aren't both good movies, they're simply over played. Everyone and their brother has seen these two and I didn't personally find either of them that scary or original. Again, both quality films, but not the purpose of this list. And yes, while the Candyman may be a slasher, he's also a ghost. The film tells the tale of Helen, a woman writing her thesis. She decides to investigate the local legend of the titular character, a former Slave who was put to death for his love of the master's daughter. By reciting his name 3 times into the mirror, his spirit comes to like and wreaks havoc on you and your loved ones with his trusty meat hook. Let me tell you, if Bloody Mary didn't scare the shit out of you as a kid, give this one a try. Tony Todd is brilliant as the Candyman, and he truly creates a character that's terrifying, iconic and also relatable. This is a must see as it transcends one single genre. There is plenty of gore as well as elements of a slasher, ghost story, and even gothic love story!
Well, thats the list. Again, this isn't meant to be a "Best Of" or anything of the like. These are simply underrated ghost films that I enjoy. Some other honorable mentions that were enjoyable but didn't make the list: House On Haunted Hill, The Ammityville Horror, The Shining, The Orphanage, Dark House, Blood Night: The Legend Of Mary Hatchet, Ghost Busters, Sixth Sense, Stir of Echoes, and House(1986), And who could forget the Blair With Project and Paranormal Activity? Oh, yeah, ME!!
Monday, February 14, 2011
The Tripper review
I have recently been journeying back through my extensive DVD collection and checking out some of the movies I haven't seen in a while. The Tripper stuck out in my mind, for I have fond memories of my first viewing of this film. Hoping to replicate that experience, I popped in the disc and away I went. Let me tell you, It was just as much fun this time around.
The setup is a familiar one, borrowing from many horror films past. A group of drug loving friends, one of which is Jason Mewes no less, pack into a van and head to a hippie music fest deep in the woods. As luck would have it, someone is determined to ruin their good time with a heavy dose of murder. One character has a psychotic ex boyfriend and the rest of the gang ran afoul of a group of local hicks, led by David Arquette (who also makes his directorial debut) so the suspects are plentiful.
We also have the hippie hating sheriff, masterfully played by Thomas Jane who seems to be loving his chance to ham it up. Then theres douche bag concert promoter portrayed by Paul Reubens, who is actually quite amusing the whole duration. Lastly, the killer: An axe wielding madman dressed as none other than Ronald Reagan!! That alone was worth the price tag of the film for me!
Performance wise, this film is nothing special. Everyone executes their roles well, but the characters are rather one dimensional. However, I felt that this was intentional as it is a throwback to the eighties slasher flicks of yesteryear. Jason Mewes is more or less Jay with black hair, and the rest of the gang are your typical stock horror characters.
The special effects here are pretty solid, minus one scene where someone (I won't ruin who) is bisected and it looks pretty damn cheesy. Again, this just adds to the films charm and makes it feel as if it were actually filmed some years prior. The killer requires no effects as it's simply a Ronald Reagan mask, a blue suit and an axe. This works in favor of the film in a "less is more" fashion.
There are some twists thrown in and all are executed well. Also, it's nice to have a little whodunit involved as we try to figure out who this psycho is, right up until the end. In addition, this film was a passion project for Arquette, who clearly showcases his love of horror and proves himself as a capable director. Is he the next Scorsese? No. But for this kind of film, he's right on the money.
In short, if you're looking for Oscar worthy material, look elsewhere. If you're looking for something psychological that has a deep, underlying meaning, sorry again. But, if you're looking for an old school slasher film with a mean streak to match its tongue in cheek humor, this is it. It accomplishes what it sets out to do: be a memorable horror film that gives us a new slasher to root for, and above all us, provide us with a good time. After all, that's what this type of film is for; having fun. There's no need to be so serious all the time and The Tripper proves that at every turn.
Highlight Scene: One party goer gets dosed with LSD and then gets ambushed by Reagan. What follows is a terrifying "trip" through the woods that would make Hunter Thompson's head spin! Also, there's a scene in which Pee Wee Herman opts to hide in a Porto-potty filled with shit. If you want disgusting, you got it!
The setup is a familiar one, borrowing from many horror films past. A group of drug loving friends, one of which is Jason Mewes no less, pack into a van and head to a hippie music fest deep in the woods. As luck would have it, someone is determined to ruin their good time with a heavy dose of murder. One character has a psychotic ex boyfriend and the rest of the gang ran afoul of a group of local hicks, led by David Arquette (who also makes his directorial debut) so the suspects are plentiful.
We also have the hippie hating sheriff, masterfully played by Thomas Jane who seems to be loving his chance to ham it up. Then theres douche bag concert promoter portrayed by Paul Reubens, who is actually quite amusing the whole duration. Lastly, the killer: An axe wielding madman dressed as none other than Ronald Reagan!! That alone was worth the price tag of the film for me!
Performance wise, this film is nothing special. Everyone executes their roles well, but the characters are rather one dimensional. However, I felt that this was intentional as it is a throwback to the eighties slasher flicks of yesteryear. Jason Mewes is more or less Jay with black hair, and the rest of the gang are your typical stock horror characters.
The special effects here are pretty solid, minus one scene where someone (I won't ruin who) is bisected and it looks pretty damn cheesy. Again, this just adds to the films charm and makes it feel as if it were actually filmed some years prior. The killer requires no effects as it's simply a Ronald Reagan mask, a blue suit and an axe. This works in favor of the film in a "less is more" fashion.
There are some twists thrown in and all are executed well. Also, it's nice to have a little whodunit involved as we try to figure out who this psycho is, right up until the end. In addition, this film was a passion project for Arquette, who clearly showcases his love of horror and proves himself as a capable director. Is he the next Scorsese? No. But for this kind of film, he's right on the money.
In short, if you're looking for Oscar worthy material, look elsewhere. If you're looking for something psychological that has a deep, underlying meaning, sorry again. But, if you're looking for an old school slasher film with a mean streak to match its tongue in cheek humor, this is it. It accomplishes what it sets out to do: be a memorable horror film that gives us a new slasher to root for, and above all us, provide us with a good time. After all, that's what this type of film is for; having fun. There's no need to be so serious all the time and The Tripper proves that at every turn.
Highlight Scene: One party goer gets dosed with LSD and then gets ambushed by Reagan. What follows is a terrifying "trip" through the woods that would make Hunter Thompson's head spin! Also, there's a scene in which Pee Wee Herman opts to hide in a Porto-potty filled with shit. If you want disgusting, you got it!
Sunday, February 13, 2011
Behind The Mask: The Rise Of Leslie Vernon review
I recently re-discovered this little gem. It has been on my DVD shelf since it was released and has since become a favorite of mine. I re-watched this movie and it still delivers. Let me start by saying that every horror fan should see this movie!
The premise is an interesting one for the genre. Local man Leslie Vernon aspires to be a slasher like his idols Michael Myers, Jason Voorhees and Freddy Krueger. He decides to contact a college film crew and allow them to document his back story, his training for his big night and how he selects and stalks his victims. Of course the film crew think he's either kidding or crazy, but they'll soon learn.
I'll begin with the performances: There's not a weak one to be had. Nathan Baesel is terrific as Leslie and creates a character that is both likable and terrifying in equal doses. Angela Goethals is decent as Taylor, the head of the documentary crew. She nails her role, being both likable yet slightly bitchy. It's reminiscent of Courtney Cox's now "classic" Gail Weathers. There's also a great cameo from genre veteran Robert Englund as Leslie's "Ahab," who is the spitting image of Dr.Loomis from the Halloween franchise, right down to the beige overcoat!
Onto the effects- All well done. There is no crappy CGI, as everything is done with practical effects. The blood looks real, the gore is realistic without going over the top and there are some really inventive kills, one of which involves an apple juicer... The character design is also phenomenal. Leslie's getup is something original. The mask he sports is something we haven't seen before and does come off as quite creepy, especially when coupled with Baesel's thousand mile stare. Also, big points for choosing an original weapon of choice; a sickle. While it has been used before, at least it's not the kitchen knife or machete that modern horror movies seem to rely on!
This film, for me anyhow, is what Scream tried to be. It is self referencing, tongue in cheek and at the same time, creepy. The first half of the film plays as horror comedy and then transitions into straight up horror film. The humor never becomes obnoxious like in the Scary Movie sequels. In this film, it works quite well, as it pokes fun at the genre but also shows it's fond love for the classics of the past. There are also some twists throughout that one does not see coming from a mile away. Nothing here seems forced and it propels the story nicely.
Also, I have to mention the great usage of the song Psycho Killer performed by the Talking Heads. If ever there was a song that needed to be used in a horror film, it's this one. Overall, there are plenty of memorable scenes, tons of quotable and memorable lines and some really great kills. Combined with an original and well crafted story and solid performances throughout, we have a really great film here. Genre fans need to watch this and hopefully you have the love for it that I do. Leslie Vernon is truly on track to become a new slasher icon, and here's hoping the long anticipated sequel gets off the ground soon!!
Highlight Scene: Leslie's chase scene with (I won't spoil the character) through the apple orchard, wielding his sickle, is truly terrifying. It hearkens back to the street chase scene from Carpenter's Halloween.
Highlight Quote: Leslie (to camera) - "Do you know how much cardio I have to do? Everybody is running their asses off and I have to catch 'em while making it look like I'm walking the whole time!"
Doug Johnson: - "What kind of a survivor girl passes out in a pinch?"
Todd Best: - "Passes out? What kind of survivor girl hops on the nerdy kid's johnson like it's a pogo stick?"
The premise is an interesting one for the genre. Local man Leslie Vernon aspires to be a slasher like his idols Michael Myers, Jason Voorhees and Freddy Krueger. He decides to contact a college film crew and allow them to document his back story, his training for his big night and how he selects and stalks his victims. Of course the film crew think he's either kidding or crazy, but they'll soon learn.
I'll begin with the performances: There's not a weak one to be had. Nathan Baesel is terrific as Leslie and creates a character that is both likable and terrifying in equal doses. Angela Goethals is decent as Taylor, the head of the documentary crew. She nails her role, being both likable yet slightly bitchy. It's reminiscent of Courtney Cox's now "classic" Gail Weathers. There's also a great cameo from genre veteran Robert Englund as Leslie's "Ahab," who is the spitting image of Dr.Loomis from the Halloween franchise, right down to the beige overcoat!
Onto the effects- All well done. There is no crappy CGI, as everything is done with practical effects. The blood looks real, the gore is realistic without going over the top and there are some really inventive kills, one of which involves an apple juicer... The character design is also phenomenal. Leslie's getup is something original. The mask he sports is something we haven't seen before and does come off as quite creepy, especially when coupled with Baesel's thousand mile stare. Also, big points for choosing an original weapon of choice; a sickle. While it has been used before, at least it's not the kitchen knife or machete that modern horror movies seem to rely on!
This film, for me anyhow, is what Scream tried to be. It is self referencing, tongue in cheek and at the same time, creepy. The first half of the film plays as horror comedy and then transitions into straight up horror film. The humor never becomes obnoxious like in the Scary Movie sequels. In this film, it works quite well, as it pokes fun at the genre but also shows it's fond love for the classics of the past. There are also some twists throughout that one does not see coming from a mile away. Nothing here seems forced and it propels the story nicely.
Also, I have to mention the great usage of the song Psycho Killer performed by the Talking Heads. If ever there was a song that needed to be used in a horror film, it's this one. Overall, there are plenty of memorable scenes, tons of quotable and memorable lines and some really great kills. Combined with an original and well crafted story and solid performances throughout, we have a really great film here. Genre fans need to watch this and hopefully you have the love for it that I do. Leslie Vernon is truly on track to become a new slasher icon, and here's hoping the long anticipated sequel gets off the ground soon!!
Highlight Scene: Leslie's chase scene with (I won't spoil the character) through the apple orchard, wielding his sickle, is truly terrifying. It hearkens back to the street chase scene from Carpenter's Halloween.
Highlight Quote: Leslie (to camera) - "Do you know how much cardio I have to do? Everybody is running their asses off and I have to catch 'em while making it look like I'm walking the whole time!"
Doug Johnson: - "What kind of a survivor girl passes out in a pinch?"
Todd Best: - "Passes out? What kind of survivor girl hops on the nerdy kid's johnson like it's a pogo stick?"
Friday, February 11, 2011
Creep review
What a pleasant surprise! That's what I have to say about this little gem. I had heard about this film on a few message boards and the premise intrigued me. I always thought a subway was an inherently creepy place, so what better setting for a horror movie? While there have been a few, this one is towards the top of the pile.
The film starts with Kate, played by the lovely Franka Potente, on her way to catch a train to meet and possibly shag George Clooney. Upon arriving at the train station, she falls asleep waiting for the last train. When she wakes, everyone else is gone. Kate boards a train and is attacked by fellow co-worker Guy, who is coked up and ready to rape her. Something unseen grabs guy and Kate flees into the tunnels. That's the basic premise without giving anything away.
Along Kate's journey we are introduced to several supporting players including a trapped sewer worker, a dickish security guard, Guy the rapist, and an easily likable homeless couple. In addition, there's the Creep. The Creep is the tunnel dwelling antagonist in this film and a creepy one at that.
Jimmy and Mandy are the homeless couple who attempt to help Kate. Instead of making Jimmy the typical hobo often portrayed in this type of film, we get a caring protector who is a good person despite his circumstances. We also get some back story on most of the supporting cast, which makes the viewer actually grow attached and care about their fate.
The Creep is a pretty interesting villain. We never get a confirmation on his back story, but we don't always need to know what makes the "bad guy" tick. We can infer where his evil comes from and that suffices, as it adds an air of mystery. Effects wise, he looks pretty damn good. It would have been easy to use a poorly created CGI creature but the director smartly opts to use an actor with some pretty terrific prosthetics. In addition, the gore is well done as well, with out going overboard into "torture porn" territory.
The performances are all pretty solid. The Creep is sufficiently creepy, Kate is strong yet likable, Jimmy is easily identifiable and Guy is easy to despise. There are also some pretty creepy scenes, one of which builds a good amount of suspense and is quite heartbreaking.
The film does have flaws though. One of which is the fact that Kate had numerous opportunities to kill the Creep, but instead left him wounded and pissed. Another is the ridiculous actions of the security guard, demanding to see the body of an injured person before sending help! However, these flaws are easy to overlook when one considers the achievements the film reaches, especially on a modest budget. I recommend checking this one out. It's not perfect, but it delivers. It's effectively creepy, theres some character development and quality effects. Creep is certainly better than alot of the mainstream crap being force fed to us under the label of horror. I'm looking at you The Roommate.
Highlight Scene: George the sewer worker desperately trying to distract the Creep while Kate tries to swim to safety is quite suspenseful. In addition, the "abortion scene" is particularly horrific despite the fact that there is almost no gore shown. Here, what is implied is much more terrifying than what we're shown.
Highlight Quote: Creep- (mimicking Mandy) "Please don't hurt me. I'll do whatever you want. If you let me go, I won't tell anybody. Jimmy....?"
The film starts with Kate, played by the lovely Franka Potente, on her way to catch a train to meet and possibly shag George Clooney. Upon arriving at the train station, she falls asleep waiting for the last train. When she wakes, everyone else is gone. Kate boards a train and is attacked by fellow co-worker Guy, who is coked up and ready to rape her. Something unseen grabs guy and Kate flees into the tunnels. That's the basic premise without giving anything away.
Along Kate's journey we are introduced to several supporting players including a trapped sewer worker, a dickish security guard, Guy the rapist, and an easily likable homeless couple. In addition, there's the Creep. The Creep is the tunnel dwelling antagonist in this film and a creepy one at that.
Jimmy and Mandy are the homeless couple who attempt to help Kate. Instead of making Jimmy the typical hobo often portrayed in this type of film, we get a caring protector who is a good person despite his circumstances. We also get some back story on most of the supporting cast, which makes the viewer actually grow attached and care about their fate.
The Creep is a pretty interesting villain. We never get a confirmation on his back story, but we don't always need to know what makes the "bad guy" tick. We can infer where his evil comes from and that suffices, as it adds an air of mystery. Effects wise, he looks pretty damn good. It would have been easy to use a poorly created CGI creature but the director smartly opts to use an actor with some pretty terrific prosthetics. In addition, the gore is well done as well, with out going overboard into "torture porn" territory.
The performances are all pretty solid. The Creep is sufficiently creepy, Kate is strong yet likable, Jimmy is easily identifiable and Guy is easy to despise. There are also some pretty creepy scenes, one of which builds a good amount of suspense and is quite heartbreaking.
The film does have flaws though. One of which is the fact that Kate had numerous opportunities to kill the Creep, but instead left him wounded and pissed. Another is the ridiculous actions of the security guard, demanding to see the body of an injured person before sending help! However, these flaws are easy to overlook when one considers the achievements the film reaches, especially on a modest budget. I recommend checking this one out. It's not perfect, but it delivers. It's effectively creepy, theres some character development and quality effects. Creep is certainly better than alot of the mainstream crap being force fed to us under the label of horror. I'm looking at you The Roommate.
Highlight Scene: George the sewer worker desperately trying to distract the Creep while Kate tries to swim to safety is quite suspenseful. In addition, the "abortion scene" is particularly horrific despite the fact that there is almost no gore shown. Here, what is implied is much more terrifying than what we're shown.
Highlight Quote: Creep- (mimicking Mandy) "Please don't hurt me. I'll do whatever you want. If you let me go, I won't tell anybody. Jimmy....?"
Paranormal Activity 2 review
Well, this one is difficult to review. It seems that this film is either love it or hate it, with very little room in between. I, for one, enjoyed this film. I felt that the original was incredibly overrated. While I appreciate what Oren Peli did with a minimal budget, I feel that the hype was just that. The original had a decent premise and was well executed, but it fell flat, in my humble opinion.
The sequel, which is actually a prequel, is superior in my opinion. As the franchise is already established we get to jump in to the suspense relatively quickly. While keeping this review relatively spoiler free, I will say that this film does answer a lot of questions left by its predecessor.
The "acting" all around was pretty good, the effects all seemed pretty realistic and pacing was relatively tight. My one complaint is that there are some flat out ridiculous decisions made by two main characters. The father in this film is borderline retarded.
After the demon terrorizes the house, the family assumes they were the victims of a break in and decide to install several cameras, then terror ensues. That's the basic premise. My problem is that even when strange goings on start to happen, the father only checks the cameras twice! If my family came to me with complaints of being terrorized I would at least check my DVR before dismissing their claims as nonsense. Also, there is a scene in which he opts to leave his wife and baby home alone at 2am even after the haunting has been verified.
My other complaint is the stereotypical Latina nanny who just so happens to be an expert in the paranormal. In addition, this film opts out of the "less is more" mentality of the first film which works for the most part. The weak aspect of this is the reveal of the entity, which looks rather cheesy. I've seen better creature effects in films with a much smaller budget.
The film was overall enjoyable, building a good amount of suspense by putting a newborn child directly in the demon's sights. The daughter in this film, Ali, was the stand out. While her acting was nothing spectacular, she at least exuded some common sense. Also, there is a nice cameo from Micah and Katie which really ties up some loose ends. I did feel that the end was a bit abrupt, however. This story reminded me of Stephen King in the sense that it was an eerie story but the ending was a bit botched.
Overall, a worthwhile watch and a worthy companion piece to the original. While it does tread familiar ground with some of the demons tricks it does make clever and original use of the amateur footage technique. A decent film worth the price of a rental. If you enjoy a good ghost story, you could do a hell of a lot worse.
Highlight Scene: Kristi (the mother and Katie's sister) runs to check on her baby and is brutally dragged out of his room, flung down the steps and locked in the cellar. The terror here seems real and the effects, which easily could have looked ridiculous, actually looked pretty damn realistic.
The sequel, which is actually a prequel, is superior in my opinion. As the franchise is already established we get to jump in to the suspense relatively quickly. While keeping this review relatively spoiler free, I will say that this film does answer a lot of questions left by its predecessor.
The "acting" all around was pretty good, the effects all seemed pretty realistic and pacing was relatively tight. My one complaint is that there are some flat out ridiculous decisions made by two main characters. The father in this film is borderline retarded.
After the demon terrorizes the house, the family assumes they were the victims of a break in and decide to install several cameras, then terror ensues. That's the basic premise. My problem is that even when strange goings on start to happen, the father only checks the cameras twice! If my family came to me with complaints of being terrorized I would at least check my DVR before dismissing their claims as nonsense. Also, there is a scene in which he opts to leave his wife and baby home alone at 2am even after the haunting has been verified.
My other complaint is the stereotypical Latina nanny who just so happens to be an expert in the paranormal. In addition, this film opts out of the "less is more" mentality of the first film which works for the most part. The weak aspect of this is the reveal of the entity, which looks rather cheesy. I've seen better creature effects in films with a much smaller budget.
The film was overall enjoyable, building a good amount of suspense by putting a newborn child directly in the demon's sights. The daughter in this film, Ali, was the stand out. While her acting was nothing spectacular, she at least exuded some common sense. Also, there is a nice cameo from Micah and Katie which really ties up some loose ends. I did feel that the end was a bit abrupt, however. This story reminded me of Stephen King in the sense that it was an eerie story but the ending was a bit botched.
Overall, a worthwhile watch and a worthy companion piece to the original. While it does tread familiar ground with some of the demons tricks it does make clever and original use of the amateur footage technique. A decent film worth the price of a rental. If you enjoy a good ghost story, you could do a hell of a lot worse.
Highlight Scene: Kristi (the mother and Katie's sister) runs to check on her baby and is brutally dragged out of his room, flung down the steps and locked in the cellar. The terror here seems real and the effects, which easily could have looked ridiculous, actually looked pretty damn realistic.
Friday, February 4, 2011
Murder Set Pieces review
This movie leaped off the shelf at me. The cover looked intense, the imagery looked fierce and the quotes on the cover.... "The most graphic horror film ever committed to celluloid." I had to check this out. It was compared to the early works of Dario Argento, a bold statement indeed. Let me tell you, it's all lies. Every last word of it.
The premise sees a fashion photographer in Vegas that secretly has the urge to kill. The film follows him as he loses control and massacres a bunch of young women. Sven Garrett stars as The Photographer, if you can really call it "starring." The majority of the movie consists of him speaking German, thinking about his dead mom who was a whore and working out. Seriously.... that's about it.
The script had a few interesting ideas but squandered them. We see a brief flash of the photographers grandfather as a Nazi. This whole Nazi theme runs through the movie as if it has some major significance to the plot, yet it does not. The only purpose this serves is to display a few swastikas and excuse Sven's German accent.
The acting is atrocious. Not a single worthy performance at all. Sven Garrett looks like a pumped up James Roday (the guy from Psych) and does nothing at all. All the supporting players would be shown up by any actor on All My Children, which is not a good thing. This brings me to the gore, or lack there of. I don't know what the hell movie the critic from Hustler magazine was watching that this was "the most graphic horror film committed to celluloid." This description was formerly applied to Henry: Portrait Of A Serial Killer, which actually deserved it. Every single kill, even those that happen on screen (which are few) are obstructed, and we see nothing except the occasional blood spatter.
Overall, this film is a blatant rip off of American Psycho and Henry, without any of the charm. Several scenes seem to be directly lifted from each movie and fall flat here. Even cameos from Gunnar Hansen and Tony Todd can't salvage this pile of crap. It is truly awful in every sense of the word. The last twenty minutes desperately try to build some tension and succeeds for about 60 seconds. Even the ending is ridiculous.
*Spoilers* We're to believe that this hulking German monster gets his ass handed to him by a 10 year old girl! Then, after getting stabbed in the gut by a rather large pair of scissors and getting his face mashed by a two by four, he's seen at the end perfectly fine and bruise free. The little girl walking alone, covered in blood is directly lifted from Texas Chainsaw Massacre and there is no resolution. We never find out what happens to anyone! A total waste of time and the dollar it cost to rent. I actually want my dollar back, thats how bad this pile of German shit is.
Highlight Scene: A brief chase scene with the photographer and little girl through his home actually manages to build tension. Beware though, it lasts about a minute. Blink and you'll miss it.
Highlight Quote(s): The Photographer- "In my minds eye I light fires in your cities."
The Photographer- "I'm looking for a snuff film called The Nutbag"
The Photographer - "It's ironic. Women suck blood from men every day but at the end of every month, it leaks out."
The premise sees a fashion photographer in Vegas that secretly has the urge to kill. The film follows him as he loses control and massacres a bunch of young women. Sven Garrett stars as The Photographer, if you can really call it "starring." The majority of the movie consists of him speaking German, thinking about his dead mom who was a whore and working out. Seriously.... that's about it.
The script had a few interesting ideas but squandered them. We see a brief flash of the photographers grandfather as a Nazi. This whole Nazi theme runs through the movie as if it has some major significance to the plot, yet it does not. The only purpose this serves is to display a few swastikas and excuse Sven's German accent.
The acting is atrocious. Not a single worthy performance at all. Sven Garrett looks like a pumped up James Roday (the guy from Psych) and does nothing at all. All the supporting players would be shown up by any actor on All My Children, which is not a good thing. This brings me to the gore, or lack there of. I don't know what the hell movie the critic from Hustler magazine was watching that this was "the most graphic horror film committed to celluloid." This description was formerly applied to Henry: Portrait Of A Serial Killer, which actually deserved it. Every single kill, even those that happen on screen (which are few) are obstructed, and we see nothing except the occasional blood spatter.
Overall, this film is a blatant rip off of American Psycho and Henry, without any of the charm. Several scenes seem to be directly lifted from each movie and fall flat here. Even cameos from Gunnar Hansen and Tony Todd can't salvage this pile of crap. It is truly awful in every sense of the word. The last twenty minutes desperately try to build some tension and succeeds for about 60 seconds. Even the ending is ridiculous.
*Spoilers* We're to believe that this hulking German monster gets his ass handed to him by a 10 year old girl! Then, after getting stabbed in the gut by a rather large pair of scissors and getting his face mashed by a two by four, he's seen at the end perfectly fine and bruise free. The little girl walking alone, covered in blood is directly lifted from Texas Chainsaw Massacre and there is no resolution. We never find out what happens to anyone! A total waste of time and the dollar it cost to rent. I actually want my dollar back, thats how bad this pile of German shit is.
Highlight Scene: A brief chase scene with the photographer and little girl through his home actually manages to build tension. Beware though, it lasts about a minute. Blink and you'll miss it.
Highlight Quote(s): The Photographer- "In my minds eye I light fires in your cities."
The Photographer- "I'm looking for a snuff film called The Nutbag"
The Photographer - "It's ironic. Women suck blood from men every day but at the end of every month, it leaks out."
Thursday, February 3, 2011
Midnight Movie review
I found this movie at RedBox and I have to say, it was pretty damn enjoyable. It's got a semi-original premise and a lot of heart. Like most straight to dvd films, it's not without it's flaws but it's still worth a watch.
The film starts out with a movie director who has been committed to a mental ward. After all treatments seem to fail, his doctor decides to show him his one and only film which is believed to have driven him insane. Upon doing so, the night doctor arrives to find everyone massacred and the patient M.I.A.
We're then taken to a revival theater that specializes in showing old cult films. The film being shown tonight is that very same film. The surviving doctor along with a detective show up to the screening, suspecting that perhaps the fugitive will show up. Right they are, to a degree.
Joining the doctor and cop are a stock cast of attractive young teens. We have the typical heroine, her little brother, the typical douche bag, the nerd and the doting boyfriend as well as a few other disposable extras and a biker couple. Upon starting the film we notice something awry as people start disappearing. Pretty standard horror plot, right?
Well, what set this film apart for me is the interesting method in which the killer selects his victims. The killer in the "movie" is actually coming out of the film to murder the moviegoers. Also, as they are killed we see their murders on the big screen that everyone else is busy watching. This film actually makes clever usage of the "movie within a movie."
Also, there are a few likable characters (the biker's are actually my favorite, ironically enough) and the villain is pretty unique. He sports a pretty creepy mask and an interesting weapon as well. It looks to be a cross between a knife and corkscrew!
Again, there are faults to be had. Some of the acting is typical of a DTV (direct to video) movie and there are some questionable decisions made by the cast, but then again, what horror film of late doesn't? There is also a lack of explanation about the killers origins, which are briefly alluded to being wicca related and then abandoned. The effects are actually pretty well done and their is a nice bit of tongue in cheek humor that runs throughout.
Overall, not perfect but enjoyable. For me, this movie has a lot of heart and is a worthy throwback to the slasher films of the 80's. Certainly nothing earth shattering and it won't win any awards but there are worse ways to pass 90 minutes. I truly enjoyed this movie, as I took it for what it is; a fun horror film made by someone who obviously had a love of the genre.
Highlight Scene: The moviegoers are watching the "movie" as the usher gets attacked. Not realizing that it's not part of the film, the crowd is gleefully watching his demise, even critiquing how "fake" it looks!
Highlight Quote: (Not knowing he's watching an actual person's demise)
Mario- " This looks so fake! And there's like, no blood!"
Sully - "It's only the first kill. It'll get bloodier, it always does."
The film starts out with a movie director who has been committed to a mental ward. After all treatments seem to fail, his doctor decides to show him his one and only film which is believed to have driven him insane. Upon doing so, the night doctor arrives to find everyone massacred and the patient M.I.A.
We're then taken to a revival theater that specializes in showing old cult films. The film being shown tonight is that very same film. The surviving doctor along with a detective show up to the screening, suspecting that perhaps the fugitive will show up. Right they are, to a degree.
Joining the doctor and cop are a stock cast of attractive young teens. We have the typical heroine, her little brother, the typical douche bag, the nerd and the doting boyfriend as well as a few other disposable extras and a biker couple. Upon starting the film we notice something awry as people start disappearing. Pretty standard horror plot, right?
Well, what set this film apart for me is the interesting method in which the killer selects his victims. The killer in the "movie" is actually coming out of the film to murder the moviegoers. Also, as they are killed we see their murders on the big screen that everyone else is busy watching. This film actually makes clever usage of the "movie within a movie."
Also, there are a few likable characters (the biker's are actually my favorite, ironically enough) and the villain is pretty unique. He sports a pretty creepy mask and an interesting weapon as well. It looks to be a cross between a knife and corkscrew!
Again, there are faults to be had. Some of the acting is typical of a DTV (direct to video) movie and there are some questionable decisions made by the cast, but then again, what horror film of late doesn't? There is also a lack of explanation about the killers origins, which are briefly alluded to being wicca related and then abandoned. The effects are actually pretty well done and their is a nice bit of tongue in cheek humor that runs throughout.
Overall, not perfect but enjoyable. For me, this movie has a lot of heart and is a worthy throwback to the slasher films of the 80's. Certainly nothing earth shattering and it won't win any awards but there are worse ways to pass 90 minutes. I truly enjoyed this movie, as I took it for what it is; a fun horror film made by someone who obviously had a love of the genre.
Highlight Scene: The moviegoers are watching the "movie" as the usher gets attacked. Not realizing that it's not part of the film, the crowd is gleefully watching his demise, even critiquing how "fake" it looks!
Highlight Quote: (Not knowing he's watching an actual person's demise)
Mario- " This looks so fake! And there's like, no blood!"
Sully - "It's only the first kill. It'll get bloodier, it always does."
Grimm Love review
Well, that to say? Seeing as I had recently had a positive experience with one of the Fangoria Frightfest films, I decided why not stick with the series? I'm glad I did. I recently checked out Grimm Love and let me tell you, it's one hell of a movie!
First off, let me warn you that this is not your traditional horror film. It's not a slasher/ghost story or anything along those lines. It's much more in tone with the likes of Zodiac or Black Swan in that it's a psychological horror film. There is not a lot of gore, as this is a performance driven horror movie, however it is still a great film.
The premise is based on real life events that many of you may recall. In Germany, a few years back, a man took out an add on line seeking someone willing to be his victim. This man had long had the urge to eat someone and has decided that now is the time. Another man, Simon, who has a rather troubled past, has always had a desire to sacrifice himself to someone. They were the perfect match for one another. Enter Katie, an American student in Germany who is writing her thesis paper on said cannibal, Oliver Hartwin.
What I really enjoyed about this film was the untraditional approach. Rather than bastardizing Oliver and making him out to be a cannibalistic monster, this movie decides to make him the protagonist. We see what makes both Simon and Oliver the way they are and it's actually quite heartbreaking. In addition, as Katie investigates the details of the case we learn a lot about her as well as she begins to grow obsessed with her subjects.
Performance wise, their isn't a weak actor here. Keri Russell (whom I must admit, I'm not a fan of) was actually really something as Katie. You really see her transformation as she begins to become more and more consumed with this case, going so far as to track down the video that Oliver made of his "feast." Thomas Huber is terrific as Simon as well, giving a lot of depth to his character and nailing it spot on. While Huber received much praise for this film I feel that the real star was Thomas Kretschmann as Oliver.
Kretschmann is simply engrossing as Oliver, giving a human side to this "monster." Unlike many films, we actually see what drives Oliver to cannibalism and what ignited this fire that burns inside him. Honestly, it is truly heartbreaking. We actually develop feelings for the two male leads which makes it all the harder to watch Simon's imminent demise.
Now, this movie isn't perfect. There are some pacing issues and there are a few secondary characters who are introduced only to never be seen again without any explanation. These things aside, the performances are strong, the cinematography is the quite good for an obviously low budget. Theres also a nice use of "home footage" to show us the character's backgrounds. In addition, there's a pretty haunting score that fits the mood well and we actually get to see a smart horror movie that cares about it's characters. Overall, a good film that I highly recommend if you want a smart horror flick that'll leave you thinking about what beast may lie inside us all.
Highlight Scene: Without giving away any spoilers, there is a scene in which Simon and Oliver are waiting for the "sedatives" to kick in and the dialogue between the two of them is terrific. Also, the scene in which Katie views the actual tape really resonates with the audience as she witnesses this horrendous act.
Highlight Quote: Oliver- "I'd love to devour you"
First off, let me warn you that this is not your traditional horror film. It's not a slasher/ghost story or anything along those lines. It's much more in tone with the likes of Zodiac or Black Swan in that it's a psychological horror film. There is not a lot of gore, as this is a performance driven horror movie, however it is still a great film.
The premise is based on real life events that many of you may recall. In Germany, a few years back, a man took out an add on line seeking someone willing to be his victim. This man had long had the urge to eat someone and has decided that now is the time. Another man, Simon, who has a rather troubled past, has always had a desire to sacrifice himself to someone. They were the perfect match for one another. Enter Katie, an American student in Germany who is writing her thesis paper on said cannibal, Oliver Hartwin.
What I really enjoyed about this film was the untraditional approach. Rather than bastardizing Oliver and making him out to be a cannibalistic monster, this movie decides to make him the protagonist. We see what makes both Simon and Oliver the way they are and it's actually quite heartbreaking. In addition, as Katie investigates the details of the case we learn a lot about her as well as she begins to grow obsessed with her subjects.
Performance wise, their isn't a weak actor here. Keri Russell (whom I must admit, I'm not a fan of) was actually really something as Katie. You really see her transformation as she begins to become more and more consumed with this case, going so far as to track down the video that Oliver made of his "feast." Thomas Huber is terrific as Simon as well, giving a lot of depth to his character and nailing it spot on. While Huber received much praise for this film I feel that the real star was Thomas Kretschmann as Oliver.
Kretschmann is simply engrossing as Oliver, giving a human side to this "monster." Unlike many films, we actually see what drives Oliver to cannibalism and what ignited this fire that burns inside him. Honestly, it is truly heartbreaking. We actually develop feelings for the two male leads which makes it all the harder to watch Simon's imminent demise.
Now, this movie isn't perfect. There are some pacing issues and there are a few secondary characters who are introduced only to never be seen again without any explanation. These things aside, the performances are strong, the cinematography is the quite good for an obviously low budget. Theres also a nice use of "home footage" to show us the character's backgrounds. In addition, there's a pretty haunting score that fits the mood well and we actually get to see a smart horror movie that cares about it's characters. Overall, a good film that I highly recommend if you want a smart horror flick that'll leave you thinking about what beast may lie inside us all.
Highlight Scene: Without giving away any spoilers, there is a scene in which Simon and Oliver are waiting for the "sedatives" to kick in and the dialogue between the two of them is terrific. Also, the scene in which Katie views the actual tape really resonates with the audience as she witnesses this horrendous act.
Highlight Quote: Oliver- "I'd love to devour you"
Wednesday, February 2, 2011
Give 'Em Hell Malone review
Though I've had it for a while, I finally got around to watching Give 'Em Hell Malone starring Thomas Jane and Ving Rhames. Lately I've been enjoying noir type films and this was touted as being a "neo-noir" film.
Thomas Jane stars as Mallone, a hard to kill gun for hire. He's hired to retrieve a briefcase, which he finds and opens. Something in the briefcase piques his interest and Mallone sets off to find out who hired him and where the case came from.
Along the way Mallone encouters your typical damsel in distress as well as several sinister henchmen, one of whom named Boulder, is expertly played by Ving Rhames. It's probably his coolest performance since Pulp Fiction (not his best, simply the most suave.) Doug Hutchison also guest stars as Matchstick, a pyro who was burned as a child.
There are several good twists thrown in and the acting is quite good. For the most part the dialogue works and the action scenes are very well done. Jane makes a very convincing hard as nails private detective, channeling his Punisher performance with a smidge of Bogart thrown in for good messure. Rhames, as usual, intimidates quite well. There's even an amusing cameo from French Stewart who manages to not be annoying as hell!! I know-I was shocked too!!
There were some negative aspects, however. There are two scenes featuring a character being burned and the cgi involved is pretty shoddy. Also, Doug Hutchins seems to be mimicking Heath Ledger's Joker in both voice and mannerism. This aside, it's a pretty enjoyable movie. My only regret is letting it sit on my shelf this long without viewing it.
Is it a flawless film? No, it isn't. Is it revolutionary and going to change cinema forever? No, it won't. What it is, however, is an entertaining 90 minute romp featuring solid acting, attractive leads, plenty of bloodshed and an interesting story. While it is a departure from my usual horror movie selection, it is a fitting tribute to the noir movies that quite obviously inspired it.
Highlight Scene: The opening gunfight in which Mallone wipes out wave after wave of baddies all by himself. This scene alone rivals half the shoot outs previously seen in Shoot 'Em Up.
Highlight Quote(s): Frankie the Crooner: "Suck my Sinatra!"
Boulder:"Next time there's a new guy, tell him to let the big black motherfucker go"
Mallone to Evelyn: "Are you a whore?"
Evelyn: "What's your cheek tell you?"
Mallone: "My cheek?" (Evelyn slaps him across the face)
Thomas Jane stars as Mallone, a hard to kill gun for hire. He's hired to retrieve a briefcase, which he finds and opens. Something in the briefcase piques his interest and Mallone sets off to find out who hired him and where the case came from.
Along the way Mallone encouters your typical damsel in distress as well as several sinister henchmen, one of whom named Boulder, is expertly played by Ving Rhames. It's probably his coolest performance since Pulp Fiction (not his best, simply the most suave.) Doug Hutchison also guest stars as Matchstick, a pyro who was burned as a child.
There are several good twists thrown in and the acting is quite good. For the most part the dialogue works and the action scenes are very well done. Jane makes a very convincing hard as nails private detective, channeling his Punisher performance with a smidge of Bogart thrown in for good messure. Rhames, as usual, intimidates quite well. There's even an amusing cameo from French Stewart who manages to not be annoying as hell!! I know-I was shocked too!!
There were some negative aspects, however. There are two scenes featuring a character being burned and the cgi involved is pretty shoddy. Also, Doug Hutchins seems to be mimicking Heath Ledger's Joker in both voice and mannerism. This aside, it's a pretty enjoyable movie. My only regret is letting it sit on my shelf this long without viewing it.
Is it a flawless film? No, it isn't. Is it revolutionary and going to change cinema forever? No, it won't. What it is, however, is an entertaining 90 minute romp featuring solid acting, attractive leads, plenty of bloodshed and an interesting story. While it is a departure from my usual horror movie selection, it is a fitting tribute to the noir movies that quite obviously inspired it.
Highlight Scene: The opening gunfight in which Mallone wipes out wave after wave of baddies all by himself. This scene alone rivals half the shoot outs previously seen in Shoot 'Em Up.
Highlight Quote(s): Frankie the Crooner: "Suck my Sinatra!"
Boulder:"Next time there's a new guy, tell him to let the big black motherfucker go"
Mallone to Evelyn: "Are you a whore?"
Evelyn: "What's your cheek tell you?"
Mallone: "My cheek?" (Evelyn slaps him across the face)
Tuesday, February 1, 2011
I Come In Peace review
I had seen this movie on cable many years ago and have been trying to find it for years. I found it online and ordered it, and eagerly awaited it's arrival. Upon receiving it, I was like a kid on Christmas.
Be warned: This movie is a late 80's early 90's piece of sci-fi/ horror schlock, and I mean that in the greatest way. Dolph Lundgren stars as a detective who's investigating a multiple homicide. The culprit? An alien who's on earth to steal a drug found inside the human body to bring back to his home planet! As to be expected, Dolph spends the duration trying to hunt him down and next to nobody believes him.
Premise wise, nothing special. This movie does exude a subtle charm though. Much like Evil Dead, it's clear this movie isn't trying to be taken seriously. It's simply trying to be fun and it succeeds. You can clearly tell that everyone involved had a blast making this movie, and in all honesty, it's really enjoyable!!
It doesn't matter what type of film you're seeking, be it horror, science fiction, action or comedy, this one will hit the spot. If you enjoy a little "cheese" with your movies, I suggest you check this out. Good performance's all around and some really good action set pieces make this a really fun watch with a group of friends. It would even make for a hell of a drinking game. And it boasts one of the greatest, cheesiest lines ever.
Highlight scene: Showdown/gunfight in grocery store parking lot.
Best Quote: Alien: "I come in peace"
Dolph: "You go in pieces"
Be warned: This movie is a late 80's early 90's piece of sci-fi/ horror schlock, and I mean that in the greatest way. Dolph Lundgren stars as a detective who's investigating a multiple homicide. The culprit? An alien who's on earth to steal a drug found inside the human body to bring back to his home planet! As to be expected, Dolph spends the duration trying to hunt him down and next to nobody believes him.
Premise wise, nothing special. This movie does exude a subtle charm though. Much like Evil Dead, it's clear this movie isn't trying to be taken seriously. It's simply trying to be fun and it succeeds. You can clearly tell that everyone involved had a blast making this movie, and in all honesty, it's really enjoyable!!
It doesn't matter what type of film you're seeking, be it horror, science fiction, action or comedy, this one will hit the spot. If you enjoy a little "cheese" with your movies, I suggest you check this out. Good performance's all around and some really good action set pieces make this a really fun watch with a group of friends. It would even make for a hell of a drinking game. And it boasts one of the greatest, cheesiest lines ever.
Highlight scene: Showdown/gunfight in grocery store parking lot.
Best Quote: Alien: "I come in peace"
Dolph: "You go in pieces"
Road Kill review
I recently rented and watched Road Kill, another film in the Fangoria Frightfest film series. Having had a positive experience with Dark House, I figured it was worth a shot. This was not the case, however.
Road Kill is unoriginal in plot, borrowing heavily from Joy Ride, Duel and the like. Group of attractive friends piss off a trucker who runs them off road. Upon investigating the truck, the gang gets shot at and ends up hijacking the truck. Gradually the truck, which naturally happens to be evil, starts to turn them all against one another.
Now, the acting is horrid. There is literally no good performance to be had from anyone involved in this production. The effects-non existent. There is literally next to no gore in this film and all the "action" takes place off screen. Plot holes are a plenty and literally nothing is explained in the end. In fact, the ending leaves only more questions, and not in a good way.
In short, while a film like Inception may leave us with questions, they're fun to think about. This movie leaves us with questions like "who the hell thought this was a good script?" Don't waste your time or money.
Highlight Scene: There was one decent scene in which the engine of the truck destroys a human body. The credits would be a close second.
Road Kill is unoriginal in plot, borrowing heavily from Joy Ride, Duel and the like. Group of attractive friends piss off a trucker who runs them off road. Upon investigating the truck, the gang gets shot at and ends up hijacking the truck. Gradually the truck, which naturally happens to be evil, starts to turn them all against one another.
Now, the acting is horrid. There is literally no good performance to be had from anyone involved in this production. The effects-non existent. There is literally next to no gore in this film and all the "action" takes place off screen. Plot holes are a plenty and literally nothing is explained in the end. In fact, the ending leaves only more questions, and not in a good way.
In short, while a film like Inception may leave us with questions, they're fun to think about. This movie leaves us with questions like "who the hell thought this was a good script?" Don't waste your time or money.
Highlight Scene: There was one decent scene in which the engine of the truck destroys a human body. The credits would be a close second.
Dark House review
Released as part of Fangoria's Frightfest. Dark House stars Jeffrey Combs, Meghan Ory and Diane Salinger. The premise is nothing revolutionary: A wealthy man (Combs) buys up property and turns them into haunted attractions using state of the art projection systems. The current location he's working on was formerly the sight of the murder of seven children. From there, he hires several local drama students to staff his new attraction, and as can be expected, the spirit of the murderer returns to wreak havoc.
If this sounds familiar, that's because it probably is. It is vaguely reminiscent of House on Haunted Hill as well as a slew of other haunted house movies. What sets this one apart, however, is the amount of charm that it has to offer. It's certainly not a perfect film, but it accomplishes what it sets out to do.
Browsing the stands of Blockbuster I came across this title. The main selling points for me was the inclusion of the Fangoria brand name as well as Jeffrey Combs. In this film he plays his part perfectly. He mixes the right blend of humor and cold blooded business man that to create a character that I actually grew interested in. He also seemed to be channeling his inner Bruce Campbell for this flick, which certainly doesn't hurt.
Meghan Ory is only ok in her role. She has the tendency to either over or under act, rarely striking the perfect medium. Diane Sallinger is terrific as the murderous Mrs.Darrode and the rest of the cast serves their purpose well. Nothing stellar from the supporting players as they're all pretty much stock horror characters.
The other thing that salvages this movie is the plethora of ghosts/projections. While the "Evil Clown" is nothing special the other spirits are quite inventive and creepy. The makeup effects on them are also very well done and they aren't really thrown in your face at every turn. Also, this film doesn't rely on cheap "jump scares" every two seconds.
Overall, a worthwhile 90 minutes. Jefferey Combs is terrific and Diane Sallinger is a believably creepy antagonist. If you enjoy a good ghost movie with some original kills thats not interested in remaking/rebooting a franchise, check this one out. If you want something vanilla that you've seen over and over again, go rent Return To House On Haunted Hill.
Highlight Scene: A ghoul sporting foot long razor fingernails approaches a group in the hallway, attempting to impail one unsuspecting employee.....
Highlight Quote: Ariel " If you get me out of here, do I have to bang you?"
Samantha " Yes!"
Ariel "Okay..."
If this sounds familiar, that's because it probably is. It is vaguely reminiscent of House on Haunted Hill as well as a slew of other haunted house movies. What sets this one apart, however, is the amount of charm that it has to offer. It's certainly not a perfect film, but it accomplishes what it sets out to do.
Browsing the stands of Blockbuster I came across this title. The main selling points for me was the inclusion of the Fangoria brand name as well as Jeffrey Combs. In this film he plays his part perfectly. He mixes the right blend of humor and cold blooded business man that to create a character that I actually grew interested in. He also seemed to be channeling his inner Bruce Campbell for this flick, which certainly doesn't hurt.
Meghan Ory is only ok in her role. She has the tendency to either over or under act, rarely striking the perfect medium. Diane Sallinger is terrific as the murderous Mrs.Darrode and the rest of the cast serves their purpose well. Nothing stellar from the supporting players as they're all pretty much stock horror characters.
The other thing that salvages this movie is the plethora of ghosts/projections. While the "Evil Clown" is nothing special the other spirits are quite inventive and creepy. The makeup effects on them are also very well done and they aren't really thrown in your face at every turn. Also, this film doesn't rely on cheap "jump scares" every two seconds.
Overall, a worthwhile 90 minutes. Jefferey Combs is terrific and Diane Sallinger is a believably creepy antagonist. If you enjoy a good ghost movie with some original kills thats not interested in remaking/rebooting a franchise, check this one out. If you want something vanilla that you've seen over and over again, go rent Return To House On Haunted Hill.
Highlight Scene: A ghoul sporting foot long razor fingernails approaches a group in the hallway, attempting to impail one unsuspecting employee.....
Highlight Quote: Ariel " If you get me out of here, do I have to bang you?"
Samantha " Yes!"
Ariel "Okay..."
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